article placeholder

Fortunata – Cannes 2017 Review

What separates the successful and the failures in life? The rich and the poor? Is it a question of hard work, talent, or just luck? Fortunata, the latest film from experienced actor Sergio Castellito, suggests...
article placeholder

Snatched – Review

Everyone involved in Snatched could (and should) have done better. They could have pushed themselves further, tried that little bit harder, and carved out a more original, and funnier, story. Sadly, they...
article placeholder

Le Venerable W. – Cannes 2017 Review

Extreme Buddhism might sound like the brainstorm of a BBC Three producer, but in Barbet Schroeder’s ferocious documentary it’s about as far from a laughing matter as you could imagine. Despite their serene...
article placeholder

Colossal – Review

You won’t see another film quite like Colossal this year. It’s best you know as little as possible going into this unique and wildly ambitious film, whose madness only just begins with the concept of...
article placeholder

The Secret Scripture – Review

Director Jim Sheridan attracts an enviable cast in this intense period drama, set in 1940s Ireland, and he doesn’t waste a drop of their talent. The marquee name is Dame Vanessa Redgrave, offering proof, if...
article placeholder

Miss Sloane – Review

Jessica Chastain is a good actress. That sentence is not a shock to anybody. Miss Sloane, both engaging and middling, is a wonderful reminder of her excellent talent. From the first frame, Chastain grabs the...
article placeholder

Jawbone – Review

Jawbone is an odd hybrid of gritty British drama, character study, and sports movie. It develops so slowly that it’s almost a surprise to see protagonist Jimmy suddenly climb into the boxing ring for a...
article placeholder

Frantz – Review

In Frantz Franco-German relations in the wake of the Great War are explored, but at its heart Ozon has crafted an old-fashioned movie that nevertheless pulses with a modern vitality. The setup is simple...
article placeholder

Alien: Covenant – Review

If to err is human, then Ridley Scott’s aliens are perfection. But as Covenant proves emphatically, perfection isn’t all it’s cracked up to be. What a machine might view as imperfect emotions, like fear...
article placeholder

The Levelling – Review

This absorbing feature debut from writer-director Hope Dickson Leach is expertly controlled and assembled, with convincingly detailed sets and a barely-there score which never crowds the central...
article placeholder

Mindhorn – Review

Plenty of films shoot on the Isle of Man, but Julian Barratt’s new comedy Mindhorn is one of the few to set itself in this particularly quaint corner of the UK. With a rural murder-conspiracy investigated by...
article placeholder

A Dog’s Purpose – Review

Based on the bestselling novel, A Dog's Purpose is a ruff movie. In one of the most emotionally manipulative films of 2017, this adaptation is a tone-deaf number from beginning to end. It forgoes sincerity,...
article placeholder

Lady Macbeth – Review

Lady Macbeth is period drama without the hard edges filed off; its plot lives in the spaces of illegitimacy, upstairs-downstairs romance, and single-minded ambition that are usually denied or shamed in more...