The Midwife – Review Rachel Brook July 8, 2017 Reviews French legends Catherine Deneuve and Catherine Frot go tête à tête in The Midwife. Despite the rather twee sun-dappled publicity images, Martin Provost’s film plays like a less grim and more substantial...
War for the Planet of the Apes – Review Christopher Preston July 7, 2017 Reviews Like a virus, Hollywood has evolved to survive. Its most recent business has been to sidle towards us, camelhair overcoat flapped open, exposing fix upon fix stitched into the lining – each one an...
Tommy’s Honour – Review Rachel Brook July 7, 2017 Reviews Tommy’s Honour makes for an enjoyable slice of social history and provides enough interest from community and familial drama to eclipse the attentions of the niche audience segment who care about the history...
The Last Word – Review Rachel Brook July 6, 2017 Reviews The Last Word is a rare and unusual treat which ignores the obsessive boundaries of Hollywood genre filmmaking, and is all the richer for it. It takes a while to find its groove, however; the opening,...
Team Talk – Baby Driver Louise Burrell July 2, 2017 Reviews Edgar Wright's Baby Driver finally came screeching into cinemas this week, set to what is arguably one of the greatest soundtracks in recent years and featuring a superb cast made up of the likes of Kevin...
Romans – EIFF 2017 Review Rachel Brook July 1, 2017 Reviews Romans tells a mostly gripping and urgent story, but the film’s underwhelming and sometimes misjudged decisions keep it from rising above superior fare that tackles similar issues, namely Spotlight and...
The House – Review James Andrews July 1, 2017 Reviews They say the House always wins. Unfortunately, that's not the case in this hit-and-miss comedy from first-time director (and co-writer) Andrew Jay Cohen, but there are still some guilty-pleasure laughs to be...
A Man Called Ove – Review Rachel Brook June 30, 2017 Reviews On first introduction, Ove (Rolf Lassgård) is a grumbling, busybody stickler whose pedantic neighbourhood rule enforcement and chastisement is likely to be interpreted as over-the-top. The dry comedy of the...
Spider-Man: Homecoming – Review Tom Bond June 29, 2017 Reviews Forget Tobey Maguire. Forget Andrew Garfield. Tom Holland is Spider-Man. He blows away all past competition with a star-making performance full of endearingly hyperactive charisma and a formidable screen...
In This Corner of the World – Review Rachel Brook June 28, 2017 Reviews In This Corner of the World starts in media res, offering early indication of the fragmentary structure it never quite overcomes. Though the soft-hued pastel palette is gorgeous to look at – particularly...
Okja – EIFF 2017 Review L D June 27, 2017 Reviews Pigs make for effective publicity stunts. While filmmakers, artists and activists have purposely exploited the porcine for its political worth, some politicians have found themselves at the centre of a media...
Hampstead – Review Tori Brazier June 26, 2017 Reviews As the opening titles begin, a lone kite floats whimsically over Hampstead Heath… and realisation dawns: this already seems rather Mary Poppins. By those titles’ end – all Hampstead Village in dappled...
Song to Song – EIFF 2017 Review L D June 25, 2017 Reviews Song to Song is both very similar and very different to Terrence Malick’s small but precious early filmography. Touring musicians BV (Ryan Gosling) and Faye (Rooney Mara) are identifiable as Bill and...
My Pure Land – EIFF 2017 Review L D June 24, 2017 Reviews It is only at the end of Sarmad Masud’s My Pure Land that we discover the film is based on the true story of Nazo Dharejo, a woman confronted with the armed robbers attempting to invade her land. The story...
Satan Said Dance – EIFF 2017 Review Rachel Brook June 24, 2017 Reviews Like Xavier Dolan’s Mommy, Satan Said Dance is shot in 1:1 aspect ratio, amplifying the sense that the main character finds her life entrapping. Though Katarzyna Roslaniec’s film has flashy style and...