Last Flag Flying – LFF 2017 Review Louise Burrell October 10, 2017 Reviews Richard Linklater’s Last Flag Flying is full to the brim with clichés. Three Vietnam veterans are suddenly reunited having parted ways after the war. One is an alcoholic, while another is a recovering...
Mademoiselle Paradis – LFF 2017 Review Jack Blackwell October 10, 2017 Reviews As an insight into 18th-century medical practices, Mademoiselle Paradis is an intriguing and informative history lesson. As a film, however, it’s less of a success, veering between tepid and manic. Based on...
The Drummer and the Keeper – LFF 2017 Review Jack Blackwell October 9, 2017 Reviews The Drummer and the Keeper kicks off with the striking image of a completely bare-arsed man dragging a sofa into the middle of a beach before lighting it on fire. This is Gabriel (Dermot Murphy), a talented...
Going West – LFF 2017 Review Jack Blackwell October 9, 2017 Reviews A gently amusing road movie with a warm worldview, decent sense of silliness, and lack of any challenges to its audience, Henrik Martin Dahlsbakken’s Going West is one of those European films that feels...
Apostasy – LFF 2017 Review Louise Burrell October 9, 2017 Reviews Apostasy raises very important questions on how religion can, or can’t, adapt to modern life. With a focus on a family of Jehovah’s Witnesses, issues around views on blood transfusions and relationships...
Kingdom of Us – LFF 2017 Review Louise Burrell October 9, 2017 Reviews Suicide and mental health are vitally important topics of discussion, with Kingdom of Us facing these head on. In a relentlessly challenging documentary brought to us by Netflix, creator Lucy Cohen shows the...
Saturday Church – LFF 2017 Review Tori Brazier October 9, 2017 Reviews Don't come in here expecting Glee - which, although it briefly dealt with some of the issues which Saturday Church does, did so in a glossily veneered way. Saturday Church puts the difficulties faced by LGBTQ...
Dark River – LFF 2017 Review L D October 9, 2017 Reviews Premiering at Directors’ Fortnight in Cannes and winning British Film of the Year at the London Critics Circle Film Awards, The Selfish Giant was Clio Barnard’s second feature. It is safe to say that after...
Blade of the Immortal – LFF 2017 Review Kambole Campbell October 9, 2017 Reviews Takashi Miike’s 100th film Blade of the Immortal is concrete proof that the director has no intentions of slowing down. The usual opening credits are quite literally cut short, a blood spatter and a scream...
Darling – LFF 2017 Review Tori Brazier October 8, 2017 Reviews 1 Comment Danica Curcic eats up the screen as the titular Darling, a prima ballerina totally bereft when her dancing career is suddenly cut short by the devastating diagnosis of irreparable hip damage. Poised on the...
On Chesil Beach – LFF 2017 Review L D October 8, 2017 Reviews Adapted by the author of the 166-page novella it is based on, Dominic Cooke’s On Chesil Beach offers the promise of expanding upon Ian McEwan’s source material. Unfortunately, however, there is a...
Redoubtable – LFF 2017 Review Louise Burrell October 8, 2017 Reviews Much celebrated and documented, Jean-Luc Godard inspires Hazanavicius’ latest offering Redoubtable. Instead of a straight biopic, he instead focuses on a specific time in Godard’s life where he falls in...
The Glass Castle – Review Rachel Brook October 7, 2017 Reviews The Glass Castle doesn’t just beg the question of where the line between eccentric and irresponsible parenting lies; it dives headlong into the murky grey area in between. This is where we remain for the...
Columbus – LFF 2017 Review Kambole Campbell October 7, 2017 Reviews A wayward friendship made in passing in a similar manner to Sofia Coppola’s Lost in Translation, Cho’s slightly dickish but quietly wounded Jin and Richardson’s similarly hurt but enthusiastic Casey meet...
Amant Double – LFF 2017 Review Jack Blackwell October 7, 2017 Reviews For its first two thirds, François Ozon’s Amant Double feels like the most stereotypically French film ever made. Starring androgynous ingénue Chloé (Marine Vacth) who works in a modern art gallery and...