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The Ritual – Review

If there’s one thing you can take away from The Ritual it’s this – don’t take a short cut through the woods. However, this is pretty much our only learning from this relatively twist-free horror...
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Wajib – LFF 2017 Review

Wajib follows an estranged son, Shadi, and father, Abu Shadi, who have to spend the day together delivering wedding invitations in an Israeli tradition known as 'Wajib'. The film splits most of its time...
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Good Manners – LFF 2017 Review

This review contains spoilers, if you don’t what to know what happens look away now! That said, if a film’s success rests on it’s one big reveal, can it be truly good? We’re not too sure. Included...
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A Ciambra – LFF 2017 Review

Nominated as Italy’s Oscar contender, Jonas Carpignano’s Scorsese-backed follow-up to his acclaimed Mediterrenea is a must-see. Set in the Calabrian coastal town of Gioia Tauro, A Ciambra turns its...
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Faces Places – LFF 2017 Review

Faces Places is a documentary made by Agnès Varda and JR to accompany their large scale ‘Inside Out’ photography project. Their big names certainly risk stealing the limelight, but their reverence for the...
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The Lovers – LFF 2017 Review

Fittingly for a film about changing partners, The Lovers is an intriguing and eclectic mix of old and new. With its simple direction and old-fashioned score, it’s rather reminiscent of classical romances...
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The Meyerowitz Stories – Review

If The Squid and the Whale and The Royal Tenenbaums had a baby, The Meyerowitz Stories (New and Selected) would be it. The ultimate dysfunctional family with a wily and irrepressible patriarch at the helm may...
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The Party – Review

Like a real shindig, The Party takes a while to settle into a groove – but once the champagne is flowing and the blood hits the floor, it’s an absolute blast to laugh with Sally Potter as she mercilessly...
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The Rider – LFF 2017 Review

With The Rider, writer-director Chloé Zhao blurs the line between fact and fiction, casting a real South Dakota cowboy family as themselves to give a deeply empathetic insight into this harsh way of life....
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The Endless – LFF 2017 Review

The third feature by filmmaking partners Justin Benson and Aaron Moorhead blends Lovecraftian horror and intrigue with off-kilter comedic beats, and really, only the latter ever works. Starting out with...
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The Final Year – LFF 2017 Review

If you’re in the rather large camp of people that are really missing President Obama right now, this is the documentary for you. Unashamedly biased, and painting Obama in nothing but a good light, director...
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Custody – LFF 2017 Review

“Who is the worst liar?” asks the judge in charge of deciding whether a father will be allowed to have custody of his son, in French director Xavier Legrand’s tense family thriller. Custody begins with a...
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Sweet Country – LFF 2017 Review

In the first seconds of Warwick Thornton’s outback Western Sweet Country a screaming brawl happens off screen, the camera lingering on a pot about to boil over. It’s a plain statement of intent from a film...