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Last Flag Flying – LFF 2017 Review

Richard Linklater’s Last Flag Flying is full to the brim with clichés. Three Vietnam veterans are suddenly reunited having parted ways after the war. One is an alcoholic, while another is a recovering...
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Going West – LFF 2017 Review

A gently amusing road movie with a warm worldview, decent sense of silliness, and lack of any challenges to its audience, Henrik Martin Dahlsbakken’s Going West is one of those European films that feels...
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Apostasy – LFF 2017 Review

Apostasy raises very important questions on how religion can, or can’t, adapt to modern life. With a focus on a family of Jehovah’s Witnesses, issues around views on blood transfusions and relationships...
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Kingdom of Us – LFF 2017 Review

Suicide and mental health are vitally important topics of discussion, with Kingdom of Us facing these head on. In a relentlessly challenging documentary brought to us by Netflix, creator Lucy Cohen shows the...
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Saturday Church – LFF 2017 Review

Don't come in here expecting Glee - which, although it briefly dealt with some of the issues which Saturday Church does, did so in a glossily veneered way. Saturday Church puts the difficulties faced by LGBTQ...
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Dark River – LFF 2017 Review

Premiering at Directors’ Fortnight in Cannes and winning British Film of the Year at the London Critics Circle Film Awards, The Selfish Giant was Clio Barnard’s second feature. It is safe to say that after...
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Darling – LFF 2017 Review

Danica Curcic eats up the screen as the titular Darling, a prima ballerina totally bereft when her dancing career is suddenly cut short by the devastating diagnosis of irreparable hip damage. Poised on the...
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On Chesil Beach – LFF 2017 Review

Adapted by the author of the 166-page novella it is based on, Dominic Cooke’s On Chesil Beach offers the promise of expanding upon Ian McEwan’s source material. Unfortunately, however, there is a...
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Redoubtable – LFF 2017 Review

Much celebrated and documented, Jean-Luc Godard inspires Hazanavicius’ latest offering Redoubtable. Instead of a straight biopic, he instead focuses on a specific time in Godard’s life where he falls in...
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The Glass Castle – Review

The Glass Castle doesn’t just beg the question of where the line between eccentric and irresponsible parenting lies; it dives headlong into the murky grey area in between. This is where we remain for the...
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Columbus – LFF 2017 Review

A wayward friendship made in passing in a similar manner to Sofia Coppola’s Lost in Translation, Cho’s slightly dickish but quietly wounded Jin and Richardson’s similarly hurt but enthusiastic Casey meet...
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Amant Double – LFF 2017 Review

For its first two thirds, François Ozon’s Amant Double feels like the most stereotypically French film ever made. Starring androgynous ingénue Chloé (Marine Vacth) who works in a modern art gallery and...