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Skate Kitchen – Review

Skate Kitchen is a fantastically evocative low-key tale of a teenage girl’s coming of age within the skate subculture of New York City. Of course, this subject matter recalls Drew Barrymore’s Ellen...
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Arctic – Review

This review was originally published as part of our London Film Festival coverage on 27/09/2018. It’s still relatively rare for internet stars to make a successful leap into cinema, but that is, for the...
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The Little Stranger – Review

Director Lenny Abrahamson follows his Oscar-nominated Room by opening things up to a mansion with this period Gothic mystery. Said mansion is the dilapidated Hundreds Hall in post-War rural Warwickshire, and...
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Faces Places – Review

This film was previously reviewed on 14/10/17 as part of the London Film Festival. Faces Places is a documentary made by Agnès Varda and JR to accompany their large-scale ‘Inside Out’ photography...
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A Simple Favour – Review

Don’t be fooled by trailers - A Simple Favour is far more than a Gone Girl knock-off. Heavily marketed as coming from ‘the dark side of Paul Feig,’ in practice it feels like Feig has remade a François...
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Charlie Says – Venice 2018 Review

The tastefulness of marking the 50th anniversary of the Manson murders with a slew of films, TV shows and documentaries is highly debatable, but if you’re going to do it, at least Mary Harron is a more...
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King of Thieves – Review

With so many great heist movies already in existence, many even involving the great Michael Caine (see: The Italian Job, Gambit, Get Carter), it’s a wonder that Marsh felt the need to tell a story so...
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Diamantino – Review

This review was originally published as part of our Toronto International Film Festival coverage on 16/09/2018. Diamantino cannot really be pinned down as one genre. Mixing sci-fi, comedy, fantasy and much...
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Crazy Rich Asians – Review

Crazy Rich Asians begins like an all-Asian Gossip Girl yet ascends to very dizzy heights, offering a worthy twenty-first century update of Ang Lee’s ‘90s romantic comedies. Once Rachel (Wu) and Nick...
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American Animals – Review

Few documentary makers have a flair for cinematic storytelling quite like Bart Layton. His blistering debut, The Imposter, feels like a thriller despite being mostly a collection of talking head interviews....
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Shadow – TIFF 2018 Review

Zhang Yimou makes his return after 2016’s rather disappointing The Great Wall – the most expensive production made in China – with Shadow, a dark tale of a warrior who uses his lookalike in an attempt...
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The Crossing – Review

This review was originally published as part of our Toronto International Film Festival coverage on 9/9/18. Chinese first time director Bai Xue makes her mark on the film world with The Crossing, a coming...
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The Predator – TIFF 2018 Review

The Predator has landed back on Earth, and this time his target is a small autistic boy, his father, and a ragtag bunch of soldiers all receiving psychiatric treatment. Together, they prepare to hunt down the...