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Benjamin – LFF 2018 Review

Benjamin is a bleak and hilarious glimpse straight into the mind of Simon Amstell. His insecurities and witticisms are laid bare in a searing indictment of London, the arts and (of course) himself. “JUST...
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The Hate U Give – LFF 2018 Review

In George Tillman Jr’s defiant The Hate U Give, Amandla Stenberg gives the performance of her young career as Starr, a girl forced to speak out after witnessing a friend’s murder at the hands of a white...
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Assassination Nation – LFF 2018 Review

Assassination Nation kicks off with a slew of trigger warnings – a fun gag letting you know all the sordid topics to be covered. Graphic and disorienting, the film spends about an hour and a half punching...
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The Green Fog – LFF 2018 Review

Much like Scottie's consuming obsession in Vertigo, its hyperactive cousin, The Green Fog, is a labour of love. Directors Guy Maddin, Evan Johnson and Galen Johnson use San Francisco-based film and television...
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Dublin Oldschool – LFF 2018 review

In spite of its name, Dublin Oldschool spends very little time actually considering its distinct and characterful setting. Throughout, there’s a general disregard for any storytelling possibilities laid...
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Blaze – LFF 2018 review

Shot dead at the age of 39 in a mundane dispute over a friend’s pension slip, Blaze Foley has been folded into country music legend – spoken of in whispers, his influences keenly felt but never explicitly...
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Burning – LFF 2018 Review

It’s not often that you watch a two and a half hour film and think, ‘that could have been longer.’ Such is the power of Burning that it could last eight hours and it would still be compelling, a dark,...
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The White Crow – Review

This review was originally published as part of our London Film Festival coverage on 19/10/18. The White Crow has to walk a tricky line between period drama and dance movie – think Step Up 2: The Soviets....
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Museum – LFF 2018 Review

Based on an unlikely and incredible true story, Museum is a film with a mountain of ideas and things to say that sometimes finds itself swamped by its own ambition. Following Juan (Gael García Bernal), a...
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In Fabric – Review

This review was originally published as part of our London Film Festival coverage on 18/10/2018. The red dress of Peter Strickland’s In Fabric could represent anything: the toxic lure of consumerism, the...
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Capernaum – LFF 2018 Review

Capernaum was an ancient city in what is now northern Israel on the sea of Galilee, thought to be the setting for a string of Jesus’ miraculous feats of healing. No such easy fixes come for those who...
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Birds of Passage – Review

This review was originally published as part of our London Film Festival coverage on 18/10/2018 Just as Embrace of the Serpent grounded itself in indigenous stories, so too does Ciro Guerra’s followup...