Mary Queen of Scots – Review Tom Bond January 17, 2019 Reviews It’s hard to imagine a juicier historical story to film. Two rare female leaders in 16th century Britain, locked in fights for their crowns, their heritage and their lives – all while trying to steal each...
Stan & Ollie – Review Rhys Handley January 13, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 21/10/2018. Stan Laurel and Oliver Hardy’s brand of amicable slapstick remains in high esteem for its purity –...
The Front Runner – Review Joni Blyth January 13, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 15/10/2018. It’s a tough time to talk about America; any film covering politics is drawn into the vortex of the...
The House by the Sea – Review Jack Blackwell January 12, 2019 Reviews This review was originally published as part of our Venice Film Festival coverage on 03/09/2017. Self-indulgent, glacially slow, and painfully boring, Robert Guédiguian’s The House by the Sea is...
Colette – Review Tori Brazier January 12, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 13/10/2018. If you’re not a fan of historical costume dramas, this won’t be the film to convert you – but don’t...
The Upside – Review Rhys Handley January 11, 2019 Reviews Red flags marked the road to release for The Upside, a remake of 2011 French odd-couple runaway hit Intouchables, with its March 2018 release date scrapped amid the seismic scandal of one-time producer Harvey...
Life Itself – Review Rhys Handley January 4, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 15/10/2018. You know the dude in Starbucks, the one with the thick-rimmed glasses, chequered shirt and a macchiato...
Welcome to Marwen – Review James Andrews January 2, 2019 Reviews Steve Carell continues his fine run of dramatic turns in this seemingly whimsical yet serious study of trauma. He portrays Mark Hogancamp, an artist badly beaten in a gang assault who creates his own therapy...
The Favourite – Review Tom Bond January 1, 2019 Reviews This review was originally published as part of our Venice Film Festival coverage on 31/08/2018. Yorgos Lanthimos and his tragicomic experiments have been a favourite of arthouse cinema for years now, from...
Mary Poppins Returns – Review Sian Brett December 19, 2018 Reviews While not technically part of the trend for live-action Disney remakes, Mary Poppins Returns has a symmetry with the 1964 film that is hard to miss. There’s Americans playing cockneys, children stepping into...
The House that Jack Built – Review Tom Bond December 18, 2018 Reviews This review was originally published as part of our Cannes Film Festival coverage on 16/05/2018. Lars Von Trier is back with The House that Jack Built, a 150-minute grotesque epic going deep inside the mind...
Anna and the Apocalypse – Review Carmen Paddock December 17, 2018 Reviews A Christmas zombie musical comedy should not work. However, John McPhail’s second feature sells the hell out of this improbable combination. Anna and the Apocalypse’s scrappy lack of polish and the gusto...
Lizzie – Review Jack Blackwell December 16, 2018 Reviews This review was originally published as part of our London Film Festival coverage on 03/10/2018. Lizzie wastes no time laying out its theories as to who committed the 1892 Borden murders, a grisly double...
Mowgli: Legend of the Jungle – Review Tom McAdam December 15, 2018 Reviews Originally scheduled for release back in 2016 before being blindsided by Disney announcing a remake of their own, Andy Serkis’ directorial effort has finally found its footing on Netflix, bringing us a new...
Spider-Man: Into the Spider-Verse – Review Jack Blackwell December 14, 2018 Reviews A new Spider-Man? Another one?! Scepticism about Into the Spider-Verse is more than understandable – after all, how many different versions of an arachno-powered youngster do we need? Spider-Verse answers...