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Papicha – GFF 2020 Review

Films inspired by true events are often expected to be somewhat inspirational, dramatising a true tale of triumph against the odds for audience entertainment. To its credit, Mounia Meddour’s film is a...
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Blood on Her Name – Review

Lee (Bethany Anne Lind) has killed a man in her auto shop. With next to no clear context, we watch her wrap the body in plastic, bundle him into his own car, and drive to a local lake. She tosses the weapon...
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All the Bright Places – Review

There is an odd, comforting sort of familiarity to coming-of-age films, with their busy high-school corridors filled with jocks and geeks, and those impossibly elaborate house parties. Though we do get a...
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Color Out of Space – Review

With his focus on the terror of the indescribable, H.P. Lovecraft has always proved hard to adapt. Whether it’s the Garth Marenghi-esque ‘70s version of The Dunwich Horror or Guillermo Del Toro being...
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Dry Wind – Berlinale 2020 Review

Desire runs through this film as the titular Dry Wind (Vento Seco) does through its setting: rural mid-western Brazil, where Sandro (Leandro Faria Lelo) follows his monotonous daily routine. Working at the big...
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The Invisible Man – Review

It seems oddly fitting that The Invisible Man should be released mere days after the conviction of sex offender Harvey Weinstein. Once part of the ill-fated ‘Dark Universe’, now in the hands of director...
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Dark Waters – Review

The opening scene of Todd Haynes’ latest feature immediately evokes Jaws, as a group of giggling, beer-fueled teenagers trespass for a midnight swim. The killer in the water, however, is not quite as easy to...