Papicha – GFF 2020 Review Carmen Paddock March 2, 2020 Reviews Films inspired by true events are often expected to be somewhat inspirational, dramatising a true tale of triumph against the odds for audience entertainment. To its credit, Mounia Meddour’s film is a...
Toni Morrison: The Pieces I Am – GFF 2020 Review Carmen Paddock March 2, 2020 Reviews Talking heads bio-docs are no new invention, yet Toni Morrison: The Pieces I Am becomes something special through the enthusiasm, wit, and warmth of all involved. A clear sense of love for the literary legend...
Blood on Her Name – Review Calum Baker March 1, 2020 Reviews Lee (Bethany Anne Lind) has killed a man in her auto shop. With next to no clear context, we watch her wrap the body in plastic, bundle him into his own car, and drive to a local lake. She tosses the weapon...
The Death of Dick Long – GFF 2020 Review Carmen Paddock March 1, 2020 Reviews The less known about The Death of Dick Long in advance, the better. While spoilers should not make or break a good story – and this is such a film – the first half of the film plays much differently if you...
Santiago, Italia – GFF 2020 Review Carmen Paddock March 1, 2020 Reviews The title of Nanni Moretti’s documentary is deliberately unplaceable, evoking a world displaced. After Salvador Allende became the first ever Marxist socialist to be elected in a liberal democracy, the...
Delete History – Berlinale 2020 Review Josefine Algieri March 1, 2020 Reviews Modern life can certainly be a challenge to navigate; particularly for those generations which did not grow up with the internet. With Delete History (Effacer l’historique), writer-director duo Benoit...
All the Bright Places – Review Rob Salusbury February 29, 2020 Reviews There is an odd, comforting sort of familiarity to coming-of-age films, with their busy high-school corridors filled with jocks and geeks, and those impossibly elaborate house parties. Though we do get a...
Never Rarely Sometimes Always – Berlinale 2020 Review Josefine Algieri February 28, 2020 Reviews Sometimes film projects are years in the making until the right time comes around: the wait is certainly worth it with Eliza Hittmann's Never Rarely Sometimes Always. In 2020, under the Trump administration,...
Color Out of Space – Review Jack Blackwell February 27, 2020 Reviews With his focus on the terror of the indescribable, H.P. Lovecraft has always proved hard to adapt. Whether it’s the Garth Marenghi-esque ‘70s version of The Dunwich Horror or Guillermo Del Toro being...
The Intruder – Berlinale 2020 Review Josefine Algieri February 26, 2020 Reviews The voice is an instrument, susceptible to changes in a person's mood, or her mental constitution. Natalia Meta's The Intruder (El prófugo) introduces its protagonist's voice as a carefully honed tool for her...
Dry Wind – Berlinale 2020 Review Josefine Algieri February 26, 2020 Reviews Desire runs through this film as the titular Dry Wind (Vento Seco) does through its setting: rural mid-western Brazil, where Sandro (Leandro Faria Lelo) follows his monotonous daily routine. Working at the big...
The Invisible Man – Review Phil W. Bayles February 26, 2020 Reviews It seems oddly fitting that The Invisible Man should be released mere days after the conviction of sex offender Harvey Weinstein. Once part of the ill-fated ‘Dark Universe’, now in the hands of director...
Dark Waters – Review Carmen Paddock February 26, 2020 Reviews The opening scene of Todd Haynes’ latest feature immediately evokes Jaws, as a group of giggling, beer-fueled teenagers trespass for a midnight swim. The killer in the water, however, is not quite as easy to...
True History of the Kelly Gang – Review Jack Blackwell February 26, 2020 Reviews With Sweet Country, The Nightingale, and now True History of the Kelly Gang, the outback western is having a real moment, bringing a more than welcome Aussie chaos to that most epic and stately of genres....
Eeb Allay Ooo! – Berlinale 2020 Review Carmen Paddock February 25, 2020 Reviews Monkey bites can be fatal for humans. Do not indulge them. Do not feed them. This sign greets Anjani (Shardul Bhardwaj) at his new job as a professional monkey repeller. Having newly relocated from the...