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Office Christmas Party – Review

If there’s one thing Office Christmas Party is, it’s festive. But not in a fuzzy, feel-good sort of a way. In a Bad Santa sort of way. The film is definitely set during the holiday season, and there’s...
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Snowden – Review

Snowden, Oliver Stone’s latest big ol’ Hollywood release, tells the story of Edward Snowden, the CIA whistleblower who released hundreds of NSA documents to the public in 2013, revealing that the American...
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Sully – Review

It's incredible that Clint Eastwood can make one of his best films so late into his career and so soon after one of his worst, American Sniper. Both films demonstrate his uncanny ability to create and...
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The Edge of Seventeen – Review

Move over John Hughes – Kelly Fremon Craig is in the house. And she’s just penned AND directed one of the best coming-of-age films of 2016. But while relative newcomer Craig’s work is a delight to...
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Moana – Review

Disney have managed to weave a gorgeous, rich tapestry when it comes to Moana. Everything looks and sounds glorious; the colours are bright and the characters are ones you genuinely invest in. Moana (newcomer...
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Bleed for This – Review

Miles Teller is on the road to redemption. As the electric buzz of Whiplash finally calms, and bleary eyes begin to focus upon Teller the actor, there’s an immediate need for him to step up. Following...
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Paterson – Cannes 2016 Review

Warm, heartfelt, and unpretentious, Jim Jarmusch's latest is an absolute delight. Paterson (Adam Driver, dependably excellent as a gentle bus driver/poet with great depth) and Laura (Golshifteh...
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Allied – Review

Subterfuge and seduction are a hair’s width apart in this tense thriller from veteran director Robert Zemeckis. As first collaborating field agents, and then lovers, Brad Pitt and Marion Cotillard...
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United States of Love – Review

United States of Love is a deeply uncomfortable and troubling film. Arguably it’s deliberately designed to be so through apt framing that emphasises the voyeuristic nature of cinema; female characters are...
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Divines – LFF 2016 Review

In many ways Divines feels like an amalgamation of all the socially conscious European films of the last decade. There is the French estate setting of Dheepan, the sexual exploitation and feminist rebellion of...
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The Innocents – Review

History has its headlines, but also its page sixes. The Innocents, in following a group of Polish nuns immediately after WWII, is a sharp and sad examination of forgotten tales. Russians have settled in...