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Free CeCe! – BFI Flare 2017 Review

Free CeCe! promises to be another excoriating exposé of the injustices of the American legal and prison systems, tackling an uninterrogated part of the story tracked in Ava DuVernay’s 13th by specifically...
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Our Love Story – BFI Flare 2017 Review

Rather than assuming the conventional didacticism that so often accompanies this type of LGBT cinema, Hyun-ju Lee politely steps back to watch her protagonists tentatively get together. With the deeply...
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Heartland – BFI Flare Review 2017

For a film named Heartland, Maureen Anderson’s debut can be pretty critical of the American Midwest. Beth Grant is saddled with the thankless negative stereotype of a traditionalist, homophobic mother, and...
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Torrey Pines – BFI Flare 2017 Review

Clyde Petersen’s autobiographical animated feature film is this year’s Centrepiece Screening at BFI Flare. A tale of queer prepubescence, Petersen articulates the fleeting memories of a cross-country road...
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After Louie – BFI Flare 2017 Review

Where countless films have collapsed inheritance between second-wave feminists and subsequent generations of women into platonic or familial intergenerational conflict, After Louie revitalises the motif in the...
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Personal Shopper – Review

Best described as "divisive" at its Cannes premiere, Olivier Assayas and Kristen Stewart's brave and uncategorisable second collaboration Personal Shopper swings fearlessly for the fences and only narrowly...
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The Love Witch – Review

Anna Biller might be the closest thing cinema has to a one-woman show. As with her other works, The Love Witch sees her produce, write, direct and edit, as well as design the sets and costumes. The result is a...
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Gleason – Review

In the sport of American football, a defensive back exists as the last line of defence, a role that requires immense physical ability as well as unwavering bravery. Your job is to navigate through obstacles,...
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Get Out – Review

Jordan Peele’s Get Out has quite accurately been described as a horror movie where the villain is racism. In this accomplished first feature, Peele intelligently intertwines historical contexts of racially...
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Tanna – Review

We often hold up that brand of ultra-realism known as “verite” as a paragon of out-there, maverick filmmaking. The brilliance of Tanna’s essential project makes even the finest of verite pictures look...
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The Student – Review

Religious fundamentalism is perhaps a slightly more unconventional teenage fad than a new body piercing or tattoo but, as The Student makes clear, it works just as well at getting you out of PE. The concept...
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Elle – Review

Raucous, outrageous and more than a little bit preposterous, Paul Verhoeven's provocative “rape comedy” Elle will ruffle feathers for its apparently callous use of rape as a narrative device – but,...
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Fist Fight – Review

Fist Fight is the kind of film that you won’t want to enjoy, but you just might, even though you'll want to detest it with every fibre of your being. And this is its dark art – it takes a simplistic and...
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Trespass Against Us – Review

Trespass Against Us is a global tale told on a local scale in the ruralness of Gloucestershire. With shades of The Godfather, it's a study in the complex bonds of masculinity and patriarchy as Chad...
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Viceroy’s House – Review

In large, stately kitchens, the bond between Head Chef and a Sous Chef is like family. In a scene where one chooses to go India, the other to Pakistan, as a result of the 1947 Indian Independence Plan,...