Colette – LFF 2018 Review Tori Brazier October 13, 2018 Reviews If you’re not a fan of historical costume dramas, this won’t be the film to convert you – but don’t dismiss it just yet: Colette has the fascinating eponymous French novelist as its subject, a woman...
The Boy Downstairs – Review Tori Brazier June 9, 2018 Reviews The Boy Downstairs, although it may most comfortably sit within the rom-com genre, avoids the common tropes and clichés of many of the poorer (and multitudinous) romantic comedies. Diana (a quirky Zosia...
The Breadwinner – Review Tori Brazier May 26, 2018 Reviews This film was previously reviewed on 15/10/2017 as part of London Film Festival. Although ostensibly a children’s animation, just as its source material was a children’s novel, The Breadwinner confronts...
Funny Cow – Review Tori Brazier April 21, 2018 Reviews This film was previously reviewed on 17/10/17 as part of London Film Festival. Funny Cow is literally Maxine Peake’s show, as she narrates her tough life – and the film – from a later point of success...
Journeyman – Review Tori Brazier March 30, 2018 Reviews This film was previously reviewed on 18/10/17 as part of London Film Festival. Journeyman is a film waiting ringside to deliver a heavy, gut-wrenching blow; it’s not a sucker punch – you know it’s...
Dress to Impress: Five Classic Hollywood Costume Designers You Should Know Tori Brazier March 23, 2018 Analysis, Features, One Off The right dress can go a long way in most circumstances - and in cinema, costume designers creating the perfect garment for a movie moment will see their work go down in history. From Audrey Hepburn's historic...
Method in his madness: An exploration of Daniel Day-Lewis’ Oscar-worthy performances Tori Brazier March 3, 2018 Features, Independent, One Off Daniel Day-Lewis is probably the most famous method actor in the world. Although this practice was brought to prominence on screen by classic stars such as Marlon Brando and James Dean in the 1950s, who were...
Battle of the Sexes – Review Tori Brazier November 24, 2017 Reviews This was previously reviewed on 07/10/17 as part of London Film Festival. Many have heard of the 1973 tennis match between Billie Jean King and Bobby Riggs, marketed as ‘The Battle of the Sexes’, but...
Professor Marston and the Wonder Women – Review Tori Brazier November 12, 2017 Reviews This was previously reviewed on 18/10/17 as part of London Film Festival. Professor Marston and the Wonder Women ensures you’ll never look at Wonder Woman the same way again. Not only was she ahead of her...
6 Days – Review Tori Brazier November 4, 2017 Reviews This was originally reviewed on 18/10/17 as part of London Film Festival. It’s surprising that it took so long for 6 Days’ subject matter to receive the onscreen treatment, as it depicts the famous 1980...
The Boy Downstairs – LFF 2017 Review Tori Brazier October 18, 2017 Reviews The Boy Downstairs, although it may most comfortably sit within the rom-com genre, avoids the common tropes and clichés of many of the poorer (and multitudinous) romantic comedies. Diana (a quirky Zosia...
Journeyman – LFF 2017 Review Tori Brazier October 18, 2017 Reviews Journeyman is a film waiting ringside to deliver a heavy, gut-wrenching blow; it’s not a sucker punch – you know it’s coming from the film’s traditional structure and triumphant opening act – but...
Small Town Crime – LFF 2017 Review Tori Brazier October 18, 2017 Reviews Why isn't John Hawkes in more films? He is mesmerising here as hopeless, selfish, drunk ex-copper Mike Kendall, whose life fell apart 17 months ago – and who still hasn't managed to piece it back together...
AlphaGo – LFF 2017 Review Tori Brazier October 18, 2017 Reviews AlphaGo is an ostensibly dry and rather niche documentary on DeepMind’s efforts – from an idea 20 years in the making – to teach its AI to master the ancient Chinese board game Go. This game is...
Professor Marston and the Wonder Women – LFF 2017 Review Tori Brazier October 18, 2017 Reviews Professor Marston and the Wonder Women ensures you’ll never look at Wonder Woman the same way again. Not only was she ahead of her time at her creation as a feminist icon in 1941, but the overtly sexualised...