Scene Stealers: Andrea Riseborough in The Death of Stalin Rachel Brook November 23, 2017 Analysis, Features, Scene Stealers Andrea Riseborough is having a bit of a moment. Of course she’s not exactly a newcomer to success or critical acclaim. Still, the almost simultaneous releases of The Death of Stalin and Battle of the Sexes...
Team Talk – Justice League Rachel Brook November 19, 2017 Reviews At long last, DC's second ensemble stab at an extended universe movie is here! As our writer Joni wrote in his review, "The DC Extended Universe has taken quite a beating", critically and commercially, on...
Marjorie Prime – Review Rachel Brook November 10, 2017 Reviews This was originally reviewed on 03/06/17 as part of Sundance London. Like Spike Jonze’s Her, Marjorie Prime is set in a future not too different from the world we know. This adaptation of Jordan...
78/52 – Review Rachel Brook November 2, 2017 Reviews In 2012 two films about Hitchcock were released almost simultaneously, but both were problematic disappointments. Hitchcock, starring Anthony Hopkins and Helen Mirren, focused on Hitch during the filming of...
Can’t Get Out: The Rise of Single-Setting Cinema Rachel Brook October 31, 2017 Analysis, Close-Up, Features In theatre, the one- or two-person show can be an incredible crucible for claustrophobic action. It offers opportunities for showcasing intense chemistry, developing unrivalled suspense, or interrogating...
Wilderness – CFF 2017 Review Rachel Brook October 28, 2017 Reviews Wilderness is a film of two halves, with two distinct moods. The first twenty minutes or so are lyrical, the cinematic equivalent of poetry. Yet this sensuous parade of evocative, idyllic images is later...
Ask the Sexpert – CFF Review Rachel Brook October 26, 2017 Reviews The promise of Ask the Sexpert’s premise far outweighs its filmmaking acumen, yet it’s always an enjoyable watch. 91 year-old former gynaecologist, newspaper columnist and all-round sex positive activist...
The Glass Castle – Review Rachel Brook October 7, 2017 Reviews The Glass Castle doesn’t just beg the question of where the line between eccentric and irresponsible parenting lies; it dives headlong into the murky grey area in between. This is where we remain for the...
Short Term 12: The Film That Just Keeps Giving Rachel Brook October 6, 2017 Features, Love Letter, Nostalgia In 2008 Destin Daniel Cretton made a short film called Short Term 12. Five years later he developed it into a feature of the same name, which despite being relatively unknown has garnered a huge amount of...
Heartstone – Review Rachel Brook October 5, 2017 Reviews Where you might expect familiarity, Heartstone continually complicates and deepens its "innocence lost" narrative to tell a tale both fresh and universal. Expressive kinetic camerawork conveys boyish energy,...
Pecking Order – Review Rachel Brook October 3, 2017 Reviews Thank goodness for documentary filmmakers. Without them we’d lack insight and even awareness of a whole gamut of oddball head-scratching topics. Without Slavko Martinov specifically, we’d have stayed...
Zoology – Review Rachel Brook September 22, 2017 Reviews Zoology is torn between grotesque body horror and the aesthetics of naturalism and handheld camerawork. The latter helps produce an atmosphere which emphasises the extremely lonely life led by Natasha (Natalya...
Una – Review Rachel Brook September 3, 2017 Reviews The best aspect of Una is its scrambled chronology. Flashbacks break up what could otherwise be a rather repetitive two-hander, albeit one made up of fine performances from both Rooney Mara and Ben Mendelsohn....
London Symphony – Review Rachel Brook September 2, 2017 Reviews This virtuoso display of editing weaves together a staggering volume of footage of contemporary London, addressing a wide spread of themes and geography with knife-sharp monochrome cinematography. Though...
God’s Own Country – Review Rachel Brook September 1, 2017 Reviews Like Hope Dickson Leach’s The Levelling, God’s Own Country offers visceral insight into the life of an isolated farming family. Both films contain frank visuals of the necessary brutalities of farming and...