Spotlight: The Irresistible Rise of Daniel Brühl Nick Evan-Cook May 9, 2018 Analysis, Features, Spotlight Here’s a tough one: how do you make a cinema audience sympathise with a WW2 Nazi? It’s probably best that he doesn’t buy into the regime - no-one would like that. It would help to make him reject the...
To the Moon and Back: A History of Aardman in Seven(ish) Films Nick Evan-Cook January 26, 2018 Analysis, CEL Mates, Features This month sees the release of Early Man, the seventh feature-length offering from Bristol's own Aardman Animations. As you'd have every right to expect from the studio, Early Man is a heart-warming and...
Early Man – Review Nick Evan-Cook January 17, 2018 Reviews It's been a full 10 years since Aardman founder and visionary Nick Park last occupied the director's chair on one of their creations, but the joyous Early Man makes us feel as if he never left it. Early...
Graduation (Bacalaureat) – Review Nick Evan-Cook April 2, 2017 Reviews Joint winner of Best Director at Cannes 2016, Cristian Mungiu returns with his finest work since his sublime Palme d'Or winner 4 Months, 3 Weeks and 2 Days with Graduation, an intelligent, elegant, morally...
Personal Shopper – Review Nick Evan-Cook March 16, 2017 Reviews Best described as "divisive" at its Cannes premiere, Olivier Assayas and Kristen Stewart's brave and uncategorisable second collaboration Personal Shopper swings fearlessly for the fences and only narrowly...
Elle – Review Nick Evan-Cook March 10, 2017 Reviews Raucous, outrageous and more than a little bit preposterous, Paul Verhoeven's provocative “rape comedy” Elle will ruffle feathers for its apparently callous use of rape as a narrative device – but,...
It’s Only the End of the World – Review Nick Evan-Cook February 25, 2017 Reviews The prodigiously talented Xavier Dolan makes a rare misstep with this shrieking melodrama, a messy effort which never equals the sum of its enviable parts. It's an extraordinary film in many ways, but...
Lost in France – Review Nick Evan-Cook February 22, 2017 Reviews Peculiar choice of title aside (at no point does anyone get lost in France, either physically or spiritually), Lost in France is an unusual and not particularly audience-inclusive film, not least because it's...
Loving – Review Nick Evan-Cook February 5, 2017 Reviews Its fascinating subject and a pair of wonderfully nuanced performances - from the glowing and defiant Ruth Negga in particular - can't keep Loving from feeling somewhat safe and unadventurous, helmed though it...
Pablo Larraín: Bringing Edge to the Period Biopic Nick Evan-Cook January 19, 2017 Analysis, Features, Spotlight Chile is not all lovely wine, productive copper mines, and functional yet attractive attacking football - in recent years its diverse, powerful and cultured arthouse cinema industry has enjoyed a strong and...
Paterson – Cannes 2016 Review Nick Evan-Cook November 26, 2016 Reviews Warm, heartfelt, and unpretentious, Jim Jarmusch's latest is an absolute delight. Paterson (Adam Driver, dependably excellent as a gentle bus driver/poet with great depth) and Laura (Golshifteh...
Men and Chicken – Review Nick Evan-Cook July 16, 2016 Reviews Dark, intermittently hilarious and downright peculiar throughout, Men and Chicken offers a mixed bag as comedy and drama are both touched upon, albeit without either approach to this farcical tale ever...
Ghost Monkeys And Talking Catfish – A Love Letter To Uncle Boonmee Who Can Recall His Past Lives Nick Evan-Cook June 16, 2016 Features, Love Letter, Nostalgia At first glance, the awarding of the 2010 Palme d'Or - that most prestigious of film prizes - to the Thai dark horse Uncle Boonmee Who Can Recall His Past Lives seemed a left-field choice to say the least....
The Daughter – Review Nick Evan-Cook May 21, 2016 Reviews With powerful performances, gorgeous cinematography and a score to make you weep, The Daughter is independent drama at its finest. Picking a highlight from the uniformly excellent cast is no mean feat,...
The Salesman (Forushande) – Cannes 2016 Review Nick Evan-Cook May 21, 2016 Reviews In a Cannes festival full of "inciting incident" investigative slow burners, The Salesman sits near the middle of the pile as it intrigues with its low-key mysteries and strong, relatable performances....