Safari – Venice 2016 Review Cathy Brennan September 6, 2016 Reviews After the death of Cecil the Lion, it’s become clear that public opinion of big-game hunting is at an all-time low. So Safari is a timely documentary about the reviled activity that yields many...
The Distinguished Citizen – Venice 2016 Review Cathy Brennan September 6, 2016 Reviews Small-town Argentinian nationalism clashes with European cosmopolitanism in The Distinguished Citizen. The resulting wreckage is both funny and depressing. After fleeing to Europe four decades ago, Nobel...
King of the Belgians – Venice 2016 Review Cathy Brennan September 6, 2016 Reviews The mockumentary has recently seen a resurgence with comedies like What We Do In The Shadows and Popstar. King of the Belgians continues this trend and is one of the funniest films of the year. Taking...
Home – Venice 2016 Review Cathy Brennan September 6, 2016 Reviews For the first half of Home, it’s difficult to understand what story the filmmakers are trying to tell. It’s clearly meant to be a teen film, but there’s a lack of direction in the plot that mirrors the...
Spira Mirabilis – Venice 2016 Review Cathy Brennan September 5, 2016 Reviews Massimo D'Anolfi and Martina Parenti are ambitious film-makers at least, but the baffling Spira Mirabilis is too self-absorbed to be of much appeal to audiences. Touted as a “visual symphony” the film...
The Bleeder – Venice 2016 Review Cathy Brennan September 2, 2016 Reviews Taking a look at the life of Chuck Wepner, the real-life inspiration for Rocky Balboa, The Bleeder appropriately feels eclipsed by greatness. It stands in shadows that include the legacy of Muhammad Ali, the...
American Anarchist – Venice 2016 Review Cathy Brennan September 1, 2016 Reviews The Anarchist Cookbook is among the most controversial books ever published, detailing how to make bombs and weapons. So it’s surprising that the subject of American Anarchist, the book's author...
Miljeong (The Age Of Shadows) – Venice 2016 Review Cathy Brennan September 1, 2016 Reviews Miljeong follows a trend of Chinese and South Korean period films that chart those countries' victimisation by the Japanese in the first half of the 20th century. It’s a decent genre flick that should...
Geumul (The Net) – Venice 2016 Review Cathy Brennan August 31, 2016 Reviews Kim Ki-duk is known for being as profane as he is prolific; one of his more notable films is the Oedipal nightmare Moebius. With Geumul he retains some of the absurdity but grounds it with a human story...
Inside the Sausage Factory: A Look at the UK’s VFX Industry Cathy Brennan August 30, 2016 Behind The Curtain, Features, One Off For over a decade now it has been impossible for a mainstream film to be released without some form of visual effects (or VFX). Digital technologies have permanently changed the way films are made. This is...
Nine Lives – Review Cathy Brennan August 20, 2016 Reviews By its very nature Nine Lives has no right to be any good. It's a shameless corporate product that exploits the popularity of cat videos to rake in summer holiday money, while at the same time keeping costs...
Sweet Bean – Review Cathy Brennan August 6, 2016 Reviews Despite being a Cannes favourite, Naomi Kawase is a marginal director both domestically and internationally. Sweet Bean shows why this needs to change. Her talent is most evident when the elderly Tokue (Kirin...
Chevalier – Review Cathy Brennan July 23, 2016 Reviews So much of the nasty stuff in the news lately can be laid at the feet of toxic masculinity. From the collective hissy-fit of Ghostbros to a couple of domestic abusers in Orlando and Nice, masculine culture...
Is Mean Girls The Greatest Teen Comedy Of All Time? Cathy Brennan May 12, 2016 Analysis, Features, Opinion Since its release in 2004 Mean Girls has quickly cemented itself as a classic teen comedy. In the years since, the popularity of the genre has petered out into minor successes like Easy A and embarrassing...
A Beginner’s Guide to… Richard Linklater Cathy Brennan May 10, 2016 A Beginner's Guide To..., Analysis, Features Famous directors - auteurs, if you want to get fancy - can often have their filmographies summed up in a few phrases. With Richard Linklater, those phrases are usually 'laid back', 'preoccupied with time'...