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Sorry Angel – Review

A two-hour-plus romantic drama set in and around Paris in 1993 against the backdrop of Act Up and the AIDS crisis, Christophe Honoré’s Sorry Angel immediately calls to mind Robin Campillo’s recent, and...
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Foxtrot – Review

This review was originally published as part of our Venice Film Festival coverage on 03/09/2017.  In 2009, Israeli writer-director and former tank gunner Samuel Maoz blew away the competition at the Venice...
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Burning – Review

This review was originally published as part of our London Film Festival coverage on 19/10/2018. It’s not often that you watch a two-and-a-half-hour film and think, "that could have been longer." Such...
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Green Book – Review

This review was originally published as part of our London Film Festival coverage on 13/10/2018. An obvious crowd pleaser and Oscar-friendly awards player, it would be easy to underestimate Green Book. And...
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The House by the Sea – Review

This review was originally published as part of our Venice Film Festival coverage on 03/09/2017. Self-indulgent, glacially slow, and painfully boring, Robert Guédiguian’s The House by the Sea is...
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Lizzie – Review

This review was originally published as part of our London Film Festival coverage on 03/10/2018. Lizzie wastes no time laying out its theories as to who committed the 1892 Borden murders, a grisly double...
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Aquaman – Review

Skulking onto the scene as the first DC movie after the ignominious critical reception and woeful box office performance of Justice League, James Wan’s Aquaman has both everything and nothing to prove –...
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Suspiria – Review

This film was previously reviewed on 02/09/18 as part of Venice Film Festival. Suspiria is not a film to have mild feelings about. Like Darren Aronofsky’s mother!, Luca Guadagnino’s remake/reimagining...
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Widows – Review

As one of the most rigorous and unflinching auteurs to emerge in the last decade, it would have been hard to guess that Steve McQueen’s fourth feature, Widows – his first since his Oscar-winning 12 Years...
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Overlord – Review

With a premise that is essentially Call of Duty: Nazi Zombies – The Movie, Overlord leans heavily into its video game influences, for better and (mainly) worse. One part World War II story, one part schlock...
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Peterloo – Review

For all the wrong reasons, you can tell Peterloo was a passion project for Mike Leigh, and that the longstanding, beloved auteur has a deep fascination for the period. Every scrap of historical detail about...