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      Questi Giorni (These Days) - Venice 2016 Review

      Cathy Brennan
      September 8, 2016
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      Final Cut – Cannes Film Festival 2022

      Alysha Prasad
      May 18, 2022
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      Really Good Rejects – SXSW Review

      Carmen Paddock
      April 7, 2022
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      Zero Fucks Given – Review

      Carmen Paddock
      April 3, 2022
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      True Things – Review

      Carmen Paddock
      April 2, 2022
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      On the Divide – Human Rights Watch Film Festival 2022 Review

      Sophie Maxwell
      March 29, 2022
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      Bodies Bodies Bodies – SXSW 2022 Review

      Weiting Liu
      March 29, 2022
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      Henry Gatrell
      August 8, 2016
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      On Baz Luhrmann’s Romeo + Juliet and Growing Up

      Lydia Rostant
      March 25, 2022
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      ORWAV’s Top 20 Films of 2021: #1 – Petite Maman

      Anna McKibbin
      December 31, 2021
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      ORWAV’S Top 20 Films of 2021: #2 – The Green Knight

      Carmen Paddock
      December 31, 2021
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      Why are Filmmakers Falling for Monochrome?

      Rob Salusbury
      July 22, 2020
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      ORWAV’s Top 20 Films of 2021: #8 – First Cow

      Louise Burrell
      December 31, 2021
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      Why First Cow Was The Biggest Oscar Snub This Year

      Louise Burrell
      March 27, 2021
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      Bloodless Spectacle and Everyday Sexism in Silence of the Lambs

      Katy Moon
      February 1, 2021
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    • Best Films Never Made #18: Paul Verhoeven's Crusade

      Ben Murphie
      August 17, 2014
      Behind The Curtain, Best Films Never Made, Features
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      Best Films Never Made #43: The Beatles and Joe Orton’s Up Against It

      Tom Bond
      June 24, 2019
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      Best Films Never Made #42: George A. Romero’s The Girl Who Loved Tom Gordon

      Naomi Soanes
      September 5, 2017
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      Best Films Never Made #41: J. J. Abrams and Ron Howard’s The Dark Tower

      Sinead McCausland
      August 16, 2017
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      Best Films Never Made #40: George A. Romero’s The Mummy

      Tom Bond
      June 6, 2017
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      Best Films Never Made #39: Joss Whedon’s Wonder Woman

      Carmen Paddock
      May 30, 2017
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      Best Films Never Made #38: Ridley Scott’s Nottingham

      Sophie Wing
      May 10, 2017
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    • A Beginner's Guide to... Post-Colonial Cinema

      Ellena Zellhuber-McMillan
      May 27, 2015
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      Joseph Bullock
      June 6, 2021
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      Joseph Bullock
      May 21, 2020
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      Pandemic Panic: The Best Horror Films to Distract You Right Now

      Rob Salusbury
      April 9, 2020
    • Courtesy of: El Deseo

      A Beginner’s Guide To… Pedro Almodóvar

      Patrick Nabarro
      August 21, 2019
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      A Beginner’s Guide to… Emma Thompson

      Alex Goldstein
      June 5, 2019
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      A Beginner’s Guide to… Cate Blanchett

      Carmen Paddock
      September 20, 2018
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Author Eddie Falvey

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Eddie Falvey

Writer

Dr of Film. Currently writing about horror and film cities.

Scene Stealers: Matthew McConaughey in The Wolf of Wall Street

Eddie Falvey
October 16, 2014
Analysis, Features, Scene Stealers
It could be said that for the last couple of years Matthew McConaughey has stolen the show in just about everything he’s laid his hands upon. It began in the summer of 2012. Joss Whedon had torn up box...

A Beginner’s Guide to Silent Cinema

Eddie Falvey
September 28, 2014
A Beginner's Guide To..., Analysis, Features
Film is now most often perceived as a vehicle for telling stories, but that was not always the case. Despite the fact that key aspects of the narrative film such as scripts, sets, and acting ensembles, had...
Michael Bay

A Love Letter To… 1990s Michael Bay

Eddie Falvey
September 19, 2014
Features, Love Letter, Nostalgia
There has been a recent change within the discourse of film criticism: perhaps it is a symptom of the internet generation that allows everyone to have a voice, to be a critic; perhaps it is an attempt to push...

Second Chance: The Fountain

Eddie Falvey
September 1, 2014
Features, Nostalgia, Second Chance
There is a regularly cited quotation from Woody Allen that goes like this: “I don’t want to achieve immortality through my work I want to achieve it though not dying.” Granted, NYC’s comic prince...
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    On the Divide – Human Rights Watch Film Festival 2022 Review

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