All Is Lost – LFF Review

Apart from Our Man's opening monologue, the only words of dialogue are the occasional groan of discomfort and an elongated 'Fuuuuuuck'. Redford's actions and expressions must carry the film. The 76-year-old...

Kill Your Darlings – LFF Review

To make a debut feature about the birth of beat poetry in America is a bold and risky move. Krokidas scores surprisingly well by looking at the movement not through typewriters and papers but through people...

The Armstrong Lie – LFF Review

The two universal questions surrounding the Lance Armstrong saga are: How did it go on for so long, and why did he do it? Packed with frank admissions from nearly all parties involved, the film thrives when...