One Taxi Ride – GFF 2020 Review Carmen Paddock March 3, 2020 Reviews A homespun quality is immediately noted in One Taxi Ride. Mac CK’s documentary frames a meandering introduction to Erick, a 27-year-old man living in Mexico City, through a far from polished presentation:...
Papicha – GFF 2020 Review Carmen Paddock March 2, 2020 Reviews Films inspired by true events are often expected to be somewhat inspirational, dramatising a true tale of triumph against the odds for audience entertainment. To its credit, Mounia Meddour’s film is a...
Toni Morrison: The Pieces I Am – GFF 2020 Review Carmen Paddock March 2, 2020 Reviews Talking heads bio-docs are no new invention, yet Toni Morrison: The Pieces I Am becomes something special through the enthusiasm, wit, and warmth of all involved. A clear sense of love for the literary legend...
The Death of Dick Long – GFF 2020 Review Carmen Paddock March 1, 2020 Reviews The less known about The Death of Dick Long in advance, the better. While spoilers should not make or break a good story – and this is such a film – the first half of the film plays much differently if you...
Santiago, Italia – GFF 2020 Review Carmen Paddock March 1, 2020 Reviews The title of Nanni Moretti’s documentary is deliberately unplaceable, evoking a world displaced. After Salvador Allende became the first ever Marxist socialist to be elected in a liberal democracy, the...
What to Watch at the 2020 Glasgow Film Festival Carmen Paddock February 27, 2020 Features, One Off Glasgow Film Festival tends to slip under the radar: it comes immediately after the Berlinale, often coincides with or follows the Oscars, and tends to host mainly UK and Scottish premieres of films that have...
Dark Waters – Review Carmen Paddock February 26, 2020 Reviews The opening scene of Todd Haynes’ latest feature immediately evokes Jaws, as a group of giggling, beer-fueled teenagers trespass for a midnight swim. The killer in the water, however, is not quite as easy to...
Eeb Allay Ooo! – Berlinale 2020 Review Carmen Paddock February 25, 2020 Reviews Monkey bites can be fatal for humans. Do not indulge them. Do not feed them. This sign greets Anjani (Shardul Bhardwaj) at his new job as a professional monkey repeller. Having newly relocated from the...
Siberia – Berlinale 2020 Review Carmen Paddock February 25, 2020 Reviews Abel Ferrara’s latest film blends a quintessential man vs. nature struggle and the age-old search for life’s meaning with a heavy dose of metaphysics. Siberia, however, does nothing narratively or...
Exile – Berlinale 2020 Review Carmen Paddock February 25, 2020 Reviews The most effective horror comes from the unknown. In Visar Morina’s dramatic thriller, Xhafer is a Serbian pharmaceutical engineer who now lives in Germany with his wife and three children. One day, he finds...
25 Years Later, Safe Remains as Chilling as Ever Carmen Paddock February 25, 2020 Features, Love Letter, Nostalgia Today’s news often leaves little to be happy about. Spikes in carbon emissions from rainforests and permafrost have shaken previous climate models, leading experts to predict we have far less time than...
The Salt of Tears – Berlinale 2020 Review Carmen Paddock February 23, 2020 Reviews The least believable part of Philippe Garrel’s latest film is that anyone involved has ever been in a relationship. The Salt of Tears follows Luc, a young carpentry student moving from the countryside to...
Time to Hunt – Berlinale 2020 Review Carmen Paddock February 23, 2020 Reviews There is a scene just before the halfway point in Time To Hunt, Yoon Sung-hyun’s latest heist horror, that signals a seismic shift in the film’s rulebook. While not necessarily a twist by virtue of the...
Hidden Away – Berlinale 2020 Review Carmen Paddock February 23, 2020 Reviews Biopics are tricky; there is a balance to strike between comprehensively covering the subject's entire life and picking a dramatically satisfying theme and tone. Hidden Away reaches for the former but brings...
Persian Lessons – Berlinale 2020 Review Carmen Paddock February 22, 2020 Reviews Vadim Perelman’s Holocaust drama, inspired by true events, begins with its strongest sequence. As Gilles (Nahuel Pérez Biscayart) is transported alongside fellow Jews to an undisclosed location, he ends up...