Graduation (Bacalaureat) – Review Nick Evan-Cook April 2, 2017 Reviews Joint winner of Best Director at Cannes 2016, Cristian Mungiu returns with his finest work since his sublime Palme d'Or winner 4 Months, 3 Weeks and 2 Days with Graduation, an intelligent, elegant, morally...
Personal Shopper – Review Nick Evan-Cook March 16, 2017 Reviews Best described as "divisive" at its Cannes premiere, Olivier Assayas and Kristen Stewart's brave and uncategorisable second collaboration Personal Shopper swings fearlessly for the fences and only narrowly...
Elle – Review Nick Evan-Cook March 10, 2017 Reviews Raucous, outrageous and more than a little bit preposterous, Paul Verhoeven's provocative “rape comedy” Elle will ruffle feathers for its apparently callous use of rape as a narrative device – but,...
It’s Only the End of the World – Review Nick Evan-Cook February 25, 2017 Reviews The prodigiously talented Xavier Dolan makes a rare misstep with this shrieking melodrama, a messy effort which never equals the sum of its enviable parts. It's an extraordinary film in many ways, but...
Loving – Review Nick Evan-Cook February 5, 2017 Reviews Its fascinating subject and a pair of wonderfully nuanced performances - from the glowing and defiant Ruth Negga in particular - can't keep Loving from feeling somewhat safe and unadventurous, helmed though it...
Paterson – Cannes 2016 Review Nick Evan-Cook November 26, 2016 Reviews Warm, heartfelt, and unpretentious, Jim Jarmusch's latest is an absolute delight. Paterson (Adam Driver, dependably excellent as a gentle bus driver/poet with great depth) and Laura (Golshifteh...
The Salesman (Forushande) – Cannes 2016 Review Nick Evan-Cook May 21, 2016 Reviews In a Cannes festival full of "inciting incident" investigative slow burners, The Salesman sits near the middle of the pile as it intrigues with its low-key mysteries and strong, relatable performances....
The Neon Demon – Cannes 2016 Review Nick Evan-Cook May 20, 2016 Reviews Refn (and his perfectly-chosen collaborators) once again demonstrates his utmost command of cinema as a visual medium with the savage, beautiful and excessive sensory assault that is The Neon Demon....
The Happiest Day in the Life of Olli Mäki – Cannes 2016 Review Nick Evan-Cook May 20, 2016 Reviews Shot in grainy black-and-white 16mm, the adorable The Happiest Day in the Life of Olli Mäki is a rare example of a sports drama where matters of the heart are of greater importance than matters of...
The Red Turtle – Cannes 2016 Review Nick Evan-Cook May 20, 2016 Reviews The Red Turtle, a collaboration between veteran short film animator Michael Dudok de Wit and animation powerhouse Studio Ghibli, is a simple fable of deep spirituality. With its simple hand-drawn style and...
The Last Face – Cannes 2016 Review Nick Evan-Cook May 20, 2016 Reviews A promising cast - and presumably some noble intentions - are completely squandered by Sean Penn is his atrociously mishandled, inadvertently hilarious and often offensive The Last Face. When a script is...
Captain Fantastic – Cannes 2016 Review Nick Evan-Cook May 19, 2016 Reviews Wearing its heart not so much on its sleeve as hanging off the end of it, Captain Fantastic is a triumph of pure sincerity and heartfelt good vibes. Rather “zany” and chock full of the now-staple...
The Stopover (Voir Du Pays) – Cannes 2016 Review Nick Evan-Cook May 19, 2016 Reviews The Stopover’s compelling setup – a group of soldiers returning from a tour of Afghanistan staying in a five-star Cypriot hotel for “decompression” – makes for a scintillating investigation into...
Ma’ Rosa – Cannes 2016 Review Nick Evan-Cook May 19, 2016 Reviews Filipino auteur Brillante Mendoza’s gritty and authentic formal approach on Ma’ Rosa gives us a flavourful and palpable sense of place and community – though the same can’t be said of his characters,...
Inversion (Varoonegi) – Cannes 2016 Review Nick Evan-Cook May 19, 2016 Reviews There's something rather uncinematic about a phone call. They can be used in interesting and dynamic ways, but when much of a film consists of the lead character answering (and sometimes ignoring) her...