Sibyl – Cannes 2019 Review Marie-Célia Cannenpasse May 30, 2019 Reviews With a study of how one’s mind navigates between stability and insanity, french director Justine Triet’s latest feature Sibyl is a legitimate attempt at portraying the complexity within human imagination....
Nina Wu – Cannes 2019 Review Tom Bond May 27, 2019 Reviews Nina Wu comes at a perfect moment, hot on the heels of the #MeToo movement which finally challenged longstanding abusive practices in the film industry. Its tale of power, control, and the male gaze is a...
Matthias & Maxime – Cannes 2019 Review Tom Bond May 27, 2019 Reviews Xavier Dolan's had a tough few years. The Canadian wunderkind's last two efforts It's Only the End of the World and The Death and Life of John F. Donovan have bombed hard, but in Matthias & Maxime he...
Ice on Fire – Cannes 2019 Review Tom Bond May 23, 2019 Reviews In a sane world, Ice on Fire wouldn't exist. Mass global audiences would've been woken up by the comprehensive climate change warnings of An Inconvenient Truth back in 2006, rather than simply stirring in...
La Belle Époque – Cannes 2019 Review Tom Bond May 22, 2019 Reviews What would you give to go back and experience any point in history however you wished? Time travel may be impossible, but considering the relentless march of technology and filmmaking it’s not inconceivable...
Young Ahmed – Cannes 2019 Review Tom Bond May 22, 2019 Reviews A film about a Muslim teenager’s radicalisation directed by two white men was always going to be controversial, no matter that those men are the legendary Dardennes brothers. The worry was that they would...
Diego Maradona – Cannes 2019 Review Tom Bond May 20, 2019 Reviews A great man once said that football isn’t a matter of life and death; it’s much more important than that. Asif Kapadia’s intense Diego doc adds religion to the list, focusing on the brief few years when...
A Hidden Life – Cannes 2019 Review Tom Bond May 20, 2019 Reviews There’s a stereotype of a Terrence Malick film, if you’re feeling mean. Beautiful, sure; but also a glorified perfume ad, full of twirling girls and little substance. His most recent efforts – To the...
Vivarium – Cannes 2019 Review Tom Bond May 19, 2019 Reviews Don’t even talk to me about getting a mortgage. In this economy? May as well resign yourself to renting forever and raising your own Chernobyl of a nuclear family from a cupboard under the stairs. Vivarium...
Sofia – Cannes 2018 Review Tom Bond May 23, 2018 Reviews It’s rare to leave the cinema wishing a 90-minute film was longer, but Meryem Benm'Barek’s Sofia shows enough promise to demand a more substantial story. She wastes no time getting into the action, going...
Asako I & II – Cannes 2018 Review Tom Bond May 23, 2018 Reviews Ryûsuke Hamaguchi’s Asako I & II is an endearing Japanese rom-com with a high-concept premise. Asako (Erika Karata) falls in love with Baku (Masashiro Higashide) at university, but he walks out of her...
Long Day’s Journey Into Night – Cannes 2018 Review Tom Bond May 20, 2018 Reviews Long Day’s Journey Into Night is the kind of audacious filmmaking experiment for which film festivals like Cannes were invented. It favours mood and an ingenuity of image over any instinct to deliver a...
At War – Cannes 2018 Review Tom Bond May 20, 2018 Reviews The spirit of ’68 is alive and kicking in At War, the latest politically charged drama from the formidable pairing of director Stéphane Brizé and actor Vincent Lindon. We’re thrown straight into the...
Under the Silver Lake – Cannes 2018 Review Tom Bond May 18, 2018 Reviews “Ever get the feeling you fucked up somewhere a long time ago and you’re living a bad version of the life you were supposed to have?” Under the Silver Lake, from It Follows director David Robert...
The House that Jack Built – Cannes 2018 Review Tom Bond May 16, 2018 Reviews Lars Von Trier is back with The House that Jack Built, a 150-minute grotesque epic going deep inside the mind of a serial killer. Does it confirm his genius and justify his provocations or is it the...