Souad – Review Josefine Algieri August 26, 2021 Reviews This film was previously reviewed in March 2021 as part of our Berlinale coverage. The subject of a teenage girl glued to her smartphone is nothing new, but in Souad, director Ayten Amin shows her...
Stop-Zemlia – EIFF 2021 Review Scott Wilson August 25, 2021 Reviews Everything feels significant the first time it happens. That’s what makes high school such a momentous time, even if nothing particularly exciting is happening. Stop-Zemlia follows a class in the lead up to...
I’m Your Man – Review Carmen Paddock August 14, 2021 Reviews This film was previously reviewed in March 2021 as part of our Berlinale coverage. Cuneiform expert Alma works at Berlin’s prestigious Pergamon Museum, but like most academics she needs that last bit of...
Wildland – Review Carmen Paddock August 14, 2021 Reviews This film was previously reviewed in February 2020 as part of our Berlinale coverage. The titular Wildland evoked by Jeanette Nordahl’s feature is both the expansive Danish scenery and the inner workings...
Minamata – Review Carmen Paddock August 13, 2021 Reviews This film was previously reviewed in February 2020 as part of our Berlinale coverage. With today’s headlines, there could be a strong film made from the historical investigation, aided by an American...
Surge – Review Josefine Algieri May 29, 2021 Reviews This film was previously reviewed in February 2020 as part of our Berlinale coverage. Ben Whishaw is certainly one of the finest actors of his generation, and Aneil Karia’s Surge is a film which allows...
First Cow – Review Carmen Paddock May 28, 2021 Reviews This film was previously reviewed in February 2020 as part of our Berlinale coverage. Some films need no special tricks or thrills to captivate, and Kelly Reichardt’s latest is a near faultless example....
My New York Year – Review Carmen Paddock May 22, 2021 Reviews This film was previously reviewed (as My Salinger Year) in February 2020 as part of our Berlinale coverage. Philippe Falardeau’s latest feature is a visual treat. Sara Mishara’s cinematography creates a...
Undine – Review Carmen Paddock April 2, 2021 Reviews This film was previously reviewed in February 2020 as part of our Berlinale Festival coverage. Anyone familiar with European folklore will have an idea of where Christian Petzold’s latest feature may end...
Why First Cow Was The Biggest Oscar Snub This Year Louise Burrell March 27, 2021 Analysis, Features, Opinion With an outpouring of festival and critics awards over the last 12 months, it seemed almost certain that Kelly Reichardt’s stunning First Cow would garner a handful of Academy Awards nominations. But in a...
A Colony – Review Josefine Algieri March 16, 2021 Reviews This film was previously reviewed in February 2019 as part of our Berlinale coverage. School can be a hostile environment – particularly for those who don’t quite fit in. A Colony centres around Mylia...
All the Dead Ones – Review Carmen Paddock February 18, 2021 Reviews This film was previously reviewed in February 2021 as part of our Berlinale Film Festival coverage. Brazil, 1899. Slavery has been abolished for 11 years. The women of the Soares family find their old...
Uppercase Print – Review Carmen Paddock February 17, 2021 Reviews This film was previously reviewed in February 2020 as part of our Berlinale Film Festival coverage. Hybrid documentaries often use their newly-filmed footage to advance narrative drama in the absence of its...
The Twentieth Century – Review Carmen Paddock February 15, 2021 Reviews This film was previously reviewed in February 2020 as part of our Berlinale coverage. As the title suggests, The Twentieth Century opens at the close of the previous one. A young elite is groomed and ready...
News of the World – Review Rory Steabler February 11, 2021 Reviews Like News of the World protagonist Jefferson Kidd (Tom Hanks), Paul Greengrass has made a career spinning headline news into info-tainment for paying audiences. However, Greengrass’ latest is no meditation...