article placeholder

Snapshots – BFI Flare 2018 Review

Despite a bit of overacting, contrived drama and some pretty clunky plot devices, Snapshots is very hard not to like. Perhaps because this is a movie starring largely women, made predominantly by women, and...
article placeholder

Blockers – Review

As an ensemble piece, Blockers has a lot to juggle - it’s basically two three-handers colliding as the parents and children both fall into their own prom night misadventures, but the film also has to make...
article placeholder

The Third Murder – Review

This film was previously reviewed on 05/09/17 as part of the Venice Film Festival. A rare foray into more genre-style filmmaking for master of small family dramas Hirokazu Koreeda, The Third Murder is a...
article placeholder

Inferninho – BFI Flare 2018 Review

There aren’t enough films like Inferninho. It’s a small tale with an immense capacity for empathy. Set almost entirely in the titular bar that caters to a group of outsiders, which counts among its staff...
article placeholder

I Got Life! (Aurore) – Review

This French comedy/drama is very much aimed at women of a certain age, who will rightly lap it up. Those outside the target demographic, however, should also find plenty to enjoy in I Got Life!. A stream...
article placeholder

Unsane – Review

This film was previously reviewed on 25/02/18 as part of Berlinale Festival. Steven Soderbergh takes a pulpy turn in his latest lo-fi thriller Unsane, which follows a woman who unwittingly ends up in a...
article placeholder

The Islands and the Whales – Review

Far more than a travelogue-esque curio investigating the unfamiliar customs of a foreign land, Mike Day’s The Islands and the Whales offers documentation of national history in the making. The film’s...
article placeholder

The Revival – BFI Flare 2018 Review

It comes as little surprise that a number of the anti-gay pastors in America have actually been practicing what they preach against. Internalised homophobia can manifest in hugely destructive forms, and is...
article placeholder

Pacific Rim Uprising – Review

With its lacklustre US box office and director Guillermo del Toro busy winning Oscars, a sequel to the wonderful monsters vs robots extravaganza Pacific Rim looked unlikely. Five years later, the sequel has...
article placeholder

My Days of Mercy – Review

This review was originally published as part of our BFI Flare coverage on 21/03/2018. Ellen Page fans can breathe a (moderate) sigh of relief. My Days of Mercy, her second high-profile LGBT film, doesn’t...
article placeholder

Ready Player One – Review

Steven Spielberg: we’re not angry, we’re just disappointed. And also quite angry, to be honest. The man himself could be blindfolded and still direct one of the best films of any given year, but in...
article placeholder

The Square – Review

Ruben Östlund has bested the unforgettable Force Majeure. The Square is delightfully unhinged; a viewing experience that can’t be conveniently collapsed into review-friendly phrases like “precocious art...
article placeholder

A Wrinkle in Time – Review

A Wrinkle in Time is a colourful, universe-hopping adventure to find Chris Pine: the man so handsome you quickly forget his character's name. After her quantum physicist father's suspicious disappearance,...
article placeholder

Mary Magdalene – Review

It is a greater crime for a film to be boring than bad, for at least the latter elicits an emotion. Their flaws shine out like diamonds in a mine and burn themselves into your mind. A pseudo-reward for your...
article placeholder

Tomb Raider – Review

When faithfully adapting a video game as cinematic as the 2013 Tomb Raider reboot, you face inevitable accusations of pointlessness, however good the film ends up being. After all, what good is watching a...