The Two Popes – LFF 2019 Review Jack Blackwell October 10, 2019 Reviews Anthony McCarten has, in recent years, made his name as one of the premier screenwriters of mass appeal but mediocre historical films like Darkest Hour and Bohemian Rhapsody. His latest, The Two Popes, teams...
Premature – LFF 2019 Review Carmen Paddock October 10, 2019 Reviews Like this autumn’s Marriage Story, Premature follows a relationship between two artists whose personal lives blend into their creative endeavours – but in this film the beginning, end, and a possible path...
Jojo Rabbit – LFF 2019 Review Carmen Paddock October 10, 2019 Reviews Thank the cinematic gods a studio gave Taika Waititi the money to make what is – on paper – a disaster waiting to happen. Yet in his hands, a comedy about a Hitler Youth misfit and his imaginary friend...
The Aeronauts – LFF 2019 Review Jack Blackwell October 9, 2019 Reviews ‘Gravity, but Victorian’, is an intriguing pitch and, visually, The Aeronauts delivers on this strange, exciting promise. As Felicity Jones and Eddie Redmayne journey through the skies in a giant hot air...
Luce – LFF 2019 Review Jack Blackwell October 6, 2019 Reviews It is hard to explain exactly what Luce is. Initially a serious look at the pressure put on high-achieving black students in US schools, it shifts so many times – even into trashy thriller territory – that...
Judy – Review Jack Blackwell October 6, 2019 Reviews Every year, you get at least one film clearly designed purely for the purpose of nabbing an Oscar for its star. In 2019, Judy is that film. Renée Zellweger’s heartfelt take on Judy Garland immediately...
Joker – Review Jack Blackwell October 5, 2019 Reviews It’s impossible to go into Joker without the heavy fog of its insufferable, endless online discourse clouding your view. The ridiculous moral panics and equally silly impassioned defences have already made...
The Miracle of the Sargasso Sea – LFF 2019 Review Alex Goldstein October 5, 2019 Reviews Syllas Tzoumerkas' third film is as slippery as the eels that form its backbone. It's intense, brutal and surprising - full of strange asides and meandering paths, held together by the suffocating setting of...
The Last Black Man in San Francisco – LFF 2019 Review Carmen Paddock October 5, 2019 Reviews The stories we tell ourselves and to others define the way we understand the world, and The Last Black Man in San Francisco uses this ever-changing mythos to expertly evoke an ever-changing city. Based on the...
The Unknown Saint – LFF 2019 review Alex Goldstein October 5, 2019 Reviews "With that hair," comments a local pilgrim to a visiting stranger with long curls and a full beard, "you're either sick, a wacko, or a scientist." It sums up Alaa Eddine Aljem's gentle farce about faith...
Maggie – LFF 2019 review Alex Goldstein October 5, 2019 Reviews The shift from offbeat to bonkers can be glorious. For Maggie, an erratic structure mirrors the film’s examination of truth, perception and trust – but unfortunately in a way that comes across as more...
Just Mercy – LFF 2019 Review Jack Blackwell October 5, 2019 Reviews If one were to list off the common pitfalls of biopics, ‘formulaic’ would likely be near the top. Yet, Just Mercy proves that sticking rigidly to an expected formula need not necessarily be a bad thing as...
Lucky Grandma – LFF 2019 review Alex Goldstein October 3, 2019 Reviews There's a common belief that older women enjoy the goriest fiction. Certainly there's an invisibility that comes with age; a sense of being the constantly underestimated little old lady. In Lucky Grandma,...
Harriet – LFF 2019 Review Jack Blackwell October 3, 2019 Reviews Both in its premise and its marketing, Harriet looks like a straightforward Oscar-season piece of prestige biopic, telling an inspiring true story and hunting for acting trophies. In practice, though, Kasi...
The Personal History of David Copperfield – Review Alex Goldstein October 3, 2019 Reviews Armando Iannucci isn't known for his forgiving touch when it comes to social commentary. But for this almost aggressively charming Dickens adaptation he slips off the knuckledusters and takes a noticeably...