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Doctor Sleep – Review

Almost forty years after Stanley Kubrick brought the Overlook Hotel to horrifying life, Mike Flanagan brings viewers right back into his world with his take on Stephen King’s sequel. By virtue of its source...
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Zombieland: Double Tap – Review

A sequel that no one really asked for or expected, Zombieland: Double Tap arrives 10 years after its predecessor. The first instalment offered guts and gore and was far from taking itself seriously, with...
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Judy & Punch – LFF 2019 Review

The most striking element of Mirrah Foulkes’ feminist reimaging of the quintessential, quaint British seaside entertainment – this time focusing on the humans behind the puppets – is its unevenness of...
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Western Stars – LFF 2019 Review

Bruce Springsteen is a cowboy now. Please, nobody tell him any different. He seems happy. In the clips cut into Western Stars’ concert footage, the Boss tramps through the American desert in his dustiest...
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The Irishman – LFF 2019 Review

Though Martin Scorsese’s mooted upcoming films sound exciting, it’s hard to believe that they’re ever coming out at all. The Irishman has such an air of emphatic finality about it, and serves as such a...
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Piranhas – LFF 2019 Review

Piranhas is at once a thoroughly conventional gangster movie and a fresh take on the genre. If you’ve seen a mob flick made since The Public Enemy you can guess most of the plot, but director Claudio...
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Ordinary Love – LFF 2019 Review

Few films commit to their titles like Ordinary Love. This is a movie of calm, contemplative realism that never falsely raises its stakes as it studies the effect of a cancer diagnosis on a retired couple in...
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Uncut Gems – Review

Originally published as part of our London Film Festival coverage in October 2019 As much as American cinema is based in LA, it’s New York that has always been the country’s most iconic on-screen...
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The Laundromat – Review

If, at the start of the year, you were asked which Steven Soderbergh project sounded more exciting between ‘the one shot entirely on an iPhone’ and ‘the one starring Meryl Streep’, then it would have...
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For the Birds – LFF 2019 Review

Despite its flippant title, For the Birds is a difficult watch. The documentary centres on Kathy Murphy, a rural New Yorker whose decades-long, all-consuming hobby of raising barnyard fowl has raised...
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Honey Boy – LFF 2019 Review

The fictionalised cinematic memoir is an inherently self-indulgent genre, yet actor-turned-writer Shia LaBeouf and director Alma Har’el use this intense introspection to capture the interpersonal and...
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Lingua Franca – LFF 2019 Review

The summary of Lingua Franca below could mislead you into expecting some sort of topical melodrama, featuring the big issues of today blown up to cinema scale. Instead, the film is a slow-paced, slice-of-life...
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Gemini Man – Review

Who do you send to kill the best killer in the world? Pioneering director Ang Lee’s 14th feature sees an ageing hitman seeking retirement. But learning the truth about his final hit puts the sensationally...
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Le Mans ‘66 – LFF 2019 Review

It’s hard to think of a better recent example of dad-approved lazy-afternoon viewing than James Mangold’s Le Mans ‘66. Its combination of old-fashioned motorsports, tough-guy heroes, and loving...