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Ten Years – LFF 2016 Review

Ten Years is made up of five short dystopian films by young Hong Kong directors. Each of the short films, set in 2025, work around issues within the society, such as language barriers between Mandarin and...
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The Magnificent Seven – Review

A remake of The Magnificent Seven, which itself was a reimagining of Kurosawa’s Seven Samurai, should be destined for mediocrity. Yet the under-appreciated Antoine Fuqua repeats his success with reimagining...
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Mimosas – LFF 2016 Review

A curious combination of thematically dense and tonally sparse, some may grasp a deeper meaning from Mimosas. However this otherworldly odyssey across North Africa struggles to rise beyond its style, as the...
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Chasing Asylum – LFF 2016 Review

Raw, detailed and unashamedly single-minded, Chasing Asylum is a tearjerking look behind the scenes at Australian immigration. With 60 million people forcibly displaced by events across the globe, this...
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Bridget Jones’s Baby – Review

It is a truth universally acknowledged that a bad sequel can ruin a good film. Not so Bridget Jones’s Baby. For doubters wondering if this sequel is another 2016 cash-cow, rest assured; you can put on your...
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A Date For Mad Mary – LFF 2016 Review

It might have been easy for A Date for Mad Mary to take the easy route: mine the stresses of planning a wedding for some easy laughs, or even mimic Orange is the New Black for some prison-driven black comedy....
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Set The Thames On Fire – Review

Set the Thames on Fire feels like the kind of bizarre black comedy you might have accidentally discovered on BBC3 at 2am. Coincidentally, a small-screen outing in the early hours might have suited this concept...
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The Infiltrator – Review

Drug money and cartel blood get spilled, then cleaned up, in this tense true-to-life crime drama. Based on the autobiography of US Customs special agent Robert Mazur, we see Bryan Cranston go undercover to...
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Blair Witch – Review

Director Adam Wingard and writer Simon Barrett have fast carved out an impressive reputation. Delivering the innovative horrors of You're Next and The Guest, any project they move towards catches the eye like...
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The Clan – Review

Pablo Trapero’s directorial signature has often been likened to Martin Scorsese, but his attempt with The Clan to fashion a stylish, retro crime drama in the manner of the American maestro falls largely...
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Don’t Breathe – Review

It seems something is up with Detroit. First there was Jim Jarmusch’s Only Lovers Left Alive, then David Robert Mitchell’s It Follows; now Fede Alvarez’s supremely effective Don’t Breathe can join...
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Bitter Money – Venice 2016 Review

In China over 300,000 people work in the textile industry. With Bitter Money Wang Bing documents the grinding lives that these people have to endure, offering a sympathetic insight into their world. In...