Official Competition – Venice 2021 Review Tom Bond September 10, 2021 Reviews Official Competition brings a mischievous premise worth the admission fee alone: acclaimed director Lola Cuevas (Penélope Cruz) is hired to make a prestigious adaptation with two of Spain’s finest actors,...
Mona Lisa and the Blood Moon – Venice 2021 Review Tom Bond September 9, 2021 Reviews Some films have a profound message in the gaps between their 24 frames a second, and some just want to show you a damn good time. Mona Lisa and the Blood Moon spirits up a woozy vibe that thrills for every...
The Inner Cage – Venice 2021 Review Tom Bond September 5, 2021 Reviews The Inner Cage’s rural Sardinian prison is due to be shut down, but an administrative hiccup forces a skeleton staff to remain and guard a dozen prisoners who can’t be moved elsewhere yet. Every frame...
The Hand of God – Venice 2021 Review Tom Bond September 4, 2021 Reviews The Hand of God is Paolo Sorrentino’s most personal film yet, re-telling key events of his youth in Naples, including the tragic moment that left him orphaned. His films have always had an air of melancholy,...
Frankie – Review Tom Bond May 28, 2021 Reviews This film was previously reviewed in May 2019 as part of our Cannes Film Festival coverage. Any film not made for mass audiences is always at risk of sliding into a montage of first world problems, such is...
Ten Unforgettable Films That Have Haunted Us Since Childhood Tom Bond December 23, 2020 Analysis, Features, Top 10 The greatest films linger in your memory long after the credits have rolled, but there’s a particular power to those we watch as children: impressionable young minds latching onto striking images and twisted...
David Byrne’s American Utopia – Review Tom Bond December 12, 2020 Reviews This film was previously reviewed in October 2020 as part of our London Film Festival coverage. David Byrne’s American Utopia begins with what is almost a caricature of the man himself. Infamously awkward...
Babyteeth – Review Tom Bond December 8, 2020 Reviews This film was previously reviewed in September 2019 as part of our Venice Film Festival coverage. It’s hard to avoid the twin evils of mawkishness and misery when making a film about cancer, but Shannon...
Mank – Review Tom Bond December 6, 2020 Reviews Herman J. Mankiewicz is not anybody’s first choice for a prestige Hollywood biopic. He may have co-written one of the greatest films of all time, Citizen Kane (and that’s debated), but to most people the...
Murder Me, Monster – Review Tom Bond December 4, 2020 Reviews This film was previously reviewed in May 2018 as part of our Cannes Festival coverage. Argentinian writer-director Alejandro Fadel doesn’t pull any punches in his ghoulish and gory horror, Murder Me,...
About Endlessness – Review Tom Bond November 5, 2020 Reviews This film was previously reviewed in September 2019 as part of our Venice Film Festival coverage. Roy Andersson must be a master of the throwaway dinner party anecdote. His work is filled with sharp...
Borat Subsequent Moviefilm – Review Tom Bond October 22, 2020 Reviews As talented a writer and performer as Sacha Baron Cohen is, the success of Borat always came down to one thing: its ability to shock. The moments where Borat’s clueless racism and sexism encouraged America...
Lovers Rock – LFF 2020 Review Tom Bond October 17, 2020 Reviews Lovers Rock is a humble prospect on paper- just over an hour long and set at an ordinary blues dance in Notting Hill in the early ‘80s. But with those simple ingredients, writer/director Steve McQueen and...
One Man and His Shoes – LFF 2020 Review Tom Bond October 14, 2020 Reviews It’s unfortunate for director Yemi Bamiro that his documentary One Man and His Shoes comes out in the same year as ESPN’s superb doc series The Last Dance. Both deal with Michael Jordan’s basketball...
Eyimofe (This is My Desire) – LFF 2020 Review Tom Bond October 11, 2020 Reviews When we think of capitalism we think of suited bankers and Western businessmen; if our thoughts stray to less economically developed countries, it is only as the victims of capitalism, whether that’s from...