Border (Gräns) – Review Liz Gorny February 8, 2019 Reviews Ali Abbasi’s Border is a strange breed of film, much like its protagonist, Tina (Eva Melander) – a border control officer with a bizarre ability to smell illegal activity. Abbasi reimagines a short...
The Changing Face of AI in Anime and its Western Remakes Liz Gorny February 5, 2019 Analysis, Close-Up, Features "I am who?” Tima, the child robot of Rintaro's Metropolis (2001), asks just before she plunges from the edge of a high-rise tower and Metropolis collapses around her. She is parroting the first words ever...
The Old Man & the Gun – Review Liz Gorny December 9, 2018 Reviews This review was originally published as part of our London Film Festival coverage on 15/10/2018. Though David Lowery's A Ghost Story and his new The Old Man & the Gun are wholly different films, Lowery...
Family Portraits in the Films of Hirokazu Kore-eda Liz Gorny November 21, 2018 Analysis, Features, Spotlight With Shoplifters, Hirokazu Kore-eda tackles his most complex family unit to date: an impoverished, patchwork household who are biologically unrelated. Only occasionally featuring shoplifting, the film's title...
They Shall Not Grow Old – Review Liz Gorny November 11, 2018 Reviews The jaw-dropping moment of digital wizardry in They Shall Not Grow Old as 100-year-old footage is flooded with colour is reason enough to crown it one of this year’s most exciting films. The shock of this...
The Chambermaid (La Camarista) – LFF 2018 Review Liz Gorny October 25, 2018 Reviews It is hard to imagine many dramas as devastating as Lila Avilés’ sublimely understated The Chambermaid, an extraordinary study into the daily disappointments and silent struggles of a chambermaid working...
They Shall Not Grow Old – LFF 2018 Review Liz Gorny October 24, 2018 Reviews The jaw-dropping moment of digital wizardry in They Shall Not Grow Old as 100-year-old footage is flooded with colour is reason enough to crown it one of this year’s most exciting films. The shock of this...
The Green Fog – LFF 2018 Review Liz Gorny October 20, 2018 Reviews Much like Scottie's consuming obsession in Vertigo, its hyperactive cousin, The Green Fog, is a labour of love. Directors Guy Maddin, Evan Johnson and Galen Johnson use San Francisco-based film and television...
“I Do Not Care If We Go Down in History as Barbarians” – LFF 2018 Review Liz Gorny October 18, 2018 Reviews How do you make art didactic? And, if you can, can it prevent history from repeating itself? Radu Jude's "I Do Not Care If We Go Down in History as Barbarians" tackles these questions alongside a heavier task:...
Out of Blue – LFF 2018 Review Liz Gorny October 16, 2018 Reviews "We are all stardust" is the shiny, pseudo-metaphysical mantra of Carol Morley's Out of Blue, a phrase rendered meaningless when tacked onto this crime drama. The cosmos, dark matter, stardust, and parallel...
The Old Man & the Gun – LFF 2018 Review Liz Gorny October 15, 2018 Reviews Though David Lowery's A Ghost Story and his new The Old Man & the Gun are wholly different films, Lowery has returned to an exploration of what he began in the first: our time on Earth and how we spend...
Border (Gräns) – LFF 2018 Review Liz Gorny October 11, 2018 Reviews Ali Abbasi’s Border is a strange breed of film, much like its protagonist, Tina (Eva Melander) – a border control officer with a bizarre ability to smell illegal activity. Abbasi reimagines a short story...