Golden Youth – Filmfest München 2019 Review Josefine Algieri July 4, 2019 Reviews Films focusing on Isabelle Huppert in dubious encounters with young blonde girls seem to be well on the way to becoming a genre of their own. After seducing and ultimately holding hostage Chloë Grace Moertz...
Virginia Woolf on Film Josefine Algieri July 4, 2019 Analysis, By The Book, Features In 1926, when film was still a young and emerging artform, Virginia Woolf wrote the essay 'On Cinema', considering the medium with all its possibilities and limitations. In it, she is particularly outspoken on...
Destination Wedding – Review Josefine Algieri May 11, 2019 Reviews Romcoms have, over the past few years, slowly but steadily been making a deserved comeback – and what could be a better genre to reunite Winona Ryder and Keanu Reeves on screen, more than 25 years after...
Woman at War – Review Josefine Algieri May 4, 2019 Reviews Benedikt Erlingsson’s hero, the titular Woman at War, is, at first glance, an ordinary woman: Hella (Halldóra Geirharðsdóttir) leads a perfectly mundane existence as a choir director, cycling cheerfully...
Hannah – Review Josefine Algieri March 3, 2019 Reviews This review was originally published as part of our Filmfest München coverage on 3/7/2018. Andrea Pallaoro’s second feature Hannah portrays a woman on a precipice, struggling with the crimes her husband...
Amazing Grace – Berlinale 2019 Review Josefine Algieri February 16, 2019 Reviews It’s a rare thing to see footage from times long past resurface in a feature length film, but Amazing Grace is one such case: filmed in 1971 by none other than Sydney Pollack, it was meant to be a...
What She Said: The Art of Pauline Kael – Berlinale 2019 Review Josefine Algieri February 16, 2019 Reviews “I was lucky enough to be able to write about movies in a way that people were willing to pay for,” Pauline Kael says in the opening of What She Said: The Art of Pauline Kael when asked why she decided to...
Delphine and Carole – Berlinale 2019 Review Josefine Algieri February 16, 2019 Reviews Les insoumuses – the disobedient muses: actress Delphine Seyrig and filmmaker Carole Roussopoulos. Coming together in the early 1970s, they formed a collective focusing on feminist issues and film. They...
Varda by Agnès – Berlinale 2019 Review Josefine Algieri February 16, 2019 Reviews Agnès Varda has in recent years become something of an internet phenomenon. Newly discovered by a younger generation, she has not only reached the status of a beloved icon, but also everyone's favourite...
Photograph – Berlinale 2019 Review Josefine Algieri February 14, 2019 Reviews Ritesh Batra excels at slow-burn romance and proves this once again in Photograph. Returning to his native Mumbai after several English-language projects, his latest film draws on the foundation of his 2013...
Farewell to the Night – Berlinale 2019 Review Josefine Algieri February 13, 2019 Reviews The recruitment of white Europeans to the cause of ISIS is a topic which keeps coming up in films. Prolific French director André Téchiné is the latest to add to this list with his newest film, Farewell to...
Hormigas – Berlinale 2019 Review Josefine Algieri February 12, 2019 Reviews Hormigas – or El despertar de las hormigas (The Awakening of the Ants) – is a quietly emancipatory film from Costa Rican writer-director Antonella Sudasassi Furniss, following the daily existence of her...
Ghost Town Anthology – Berlinale 2019 Review Josefine Algieri February 12, 2019 Reviews Cold winds sweep the icy Canadian landscape in Denis Côté's newest film. Ghost Town Anthology borrows its title from the name given to abandoned rural small towns: as people – in particular the younger...
God Exists, Her Name is Petrunya – Berlinale 2019 Review Josefine Algieri February 11, 2019 Reviews Petrunya (Zorica Nusheva) is 32 and unemployed, her degree in history useless on the Macedonian job market. She's living with her parents again, where she is constantly taunted by her mother for her current...
ORWAV’S Top 20 Films of 2018: #2 – The Shape of Water Josefine Algieri December 30, 2018 Analysis, Features, Top 10 Even nearly 12 months after its initial UK release, Guillermo del Toro’s The Shape of Water has lost none of its magic. The film not only captured the hearts of critics, but also of cinemagoers worldwide,...