Can You Ever Forgive Me? – Review Joni Blyth February 2, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 21/10/2018. While Melissa McCarthy has found name recognition, widespread acclaim and even an Academy Award nomination for...
Destroyer – Review Joni Blyth January 25, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 16/10/2018. You can’t even look at a still of Destroyer without discussing the elephant in the room. Nicole Kidman blows...
Vice – Review Joni Blyth January 22, 2019 Reviews Art is as much about what you don’t paint as it is about what you do. The negative space, the pregnant pause, silence between the beats – there’s power in the gaps. Vice works best when it explores the...
The Front Runner – Review Joni Blyth January 13, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 15/10/2018. It’s a tough time to talk about America; any film covering politics is drawn into the vortex of the...
ORWAV’s Top 20 Films of 2018: #8 – Mission: Impossible – Fallout Joni Blyth December 24, 2018 Analysis, Features, Top 10 Without further ado, for the festive season – the IMDb Trivia Chorus: On the first day of Christmas, Mission Impossible: Fallout gave to me… three thousand set-ups, thirteen helicopters, six...
Mortal Engines – Review Joni Blyth December 8, 2018 Reviews It’s been 10 years since Peter Jackson picked up Philip Reeve’s seminal YA novel, and decided to shepherd it to the silver screen. Mortal Engines is finally rolling into cinemas, and like the mighty...
Why You Should Read Mortal Engines Before Seeing the Film Joni Blyth December 6, 2018 Analysis, By The Book, Features Let’s be real, there’s like a 50/50 chance that Mortal Engines is going to be any good, let alone do right by its source material. Fans of the book will agree that Peter Jackson, director of Lord of the...
Ralph Breaks the Internet – Review Joni Blyth December 1, 2018 Reviews Ultimately, whether you like Ralph Breaks the Internet comes down to a simple question that we must all ask ourselves at some point in our lives: How do you feel about billionaire conglomerates nakedly...
Assassination Nation – Review Joni Blyth November 22, 2018 Reviews This film was previously reviewed on 21/10/2018 as part of the London Film Festival. Assassination Nation kicks off with a slew of trigger warnings – a fun gag letting you know all the sordid topics to be...
Don’t Worry, He Won’t Get Far on Foot – Review Joni Blyth October 28, 2018 Reviews This film was previously reviewed on 25/02/2018 as part of the Berlin Film Festival. Don’t Worry, He Won’t Get Far on Foot is a surprisingly ordinary biopic given the esoteric creative forces behind it....
A Private War – LFF 2018 Review Joni Blyth October 24, 2018 Reviews A Private War dives right into two warzones. One is more literal, as we meet real-life journalist Marie Colvin chasing down leads in the Sri Lankan rainforest, the other raging within her psyche. Each is well...
Benjamin – LFF 2018 Review Joni Blyth October 21, 2018 Reviews Benjamin is a bleak and hilarious glimpse straight into the mind of Simon Amstell. His insecurities and witticisms are laid bare in a searing indictment of London, the arts and (of course) himself. “JUST...
Can You Ever Forgive Me? – LFF 2018 Review Joni Blyth October 21, 2018 Reviews While Melissa McCarthy has found name recognition, widespread acclaim and even an Academy Award nomination for her foul-mouthed comedy, Can You Ever Forgive Me? is her first intentional foray into the awards...
Assassination Nation – LFF 2018 Review Joni Blyth October 21, 2018 Reviews Assassination Nation kicks off with a slew of trigger warnings – a fun gag letting you know all the sordid topics to be covered. Graphic and disorienting, the film spends about an hour and a half punching...
The White Crow – Review Joni Blyth October 19, 2018 Reviews This review was originally published as part of our London Film Festival coverage on 19/10/18. The White Crow has to walk a tricky line between period drama and dance movie – think Step Up 2: The Soviets....