Bloody Nose, Empty Pockets – Review Joni Blyth December 25, 2020 Reviews This film was originally reviewed in October 2020 as part of our London Film Festival coverage. Bloody Nose, Empty Pockets sets out to break the rules of cinema. Why do we have to distinguish between...
Wolfwalkers – Review Joni Blyth October 29, 2020 Reviews This film was previously reviewed in October 2020 as part of our London Film Festival coverage. Everyone daydreams of life in the skies, taking wing and soaring through the clouds. But let’s be real,...
Kajillionaire – LFF 2020 Review Joni Blyth October 8, 2020 Reviews Crime doesn’t pay. Or at least, it doesn’t pay well. Kajillionaire’s con artists are a far cry from ripping off a Vegas bank; a good day’s haul to the Dynes is a gift certificate and a big rock....
ORWAV’s Top 20 Films of 2019: #1 – The Favourite Joni Blyth December 31, 2019 Analysis, Features, Top 10 Surprising combinations are the spice of life. Country music and hip hop, footballers’ wives and hard-boiled sleuthing – 2019 has been a great year for the unexpected mash-up, and none have proven quite as...
ORWAV Has Fallen: A Citizen Kane of Awful Mini-Marathon Joni Blyth August 23, 2019 Features, Nostalgia, The Citizen Kane of Awful Leonidas. Atilla the Hun. Beowulf. Dracula. The Phantom. Gerard Butler has covered an impressive number of legendary figures in his 20-year career, wielding swords and growling in every century we have a...
The MCU Doesn’t Have the Guts to Make Heroes Unlikeable – But Spider-Man 3 Did Joni Blyth July 1, 2019 Analysis, Features, Opinion We’re back in the MCU after the Endgame – and where better to start over than with Spidey? Everyone has their favourite Spider-Man, but Tom Holland’s iteration will certainly go down as one of the best...
Corporate Animals – Sundance London Review Joni Blyth June 7, 2019 Reviews Faux-eco-friendly corporations. Workplace discrimination. Startup culture. Corporate Animals is one trade union song away from a revolutionary call to arms, and all the better for it. Politically speaking,...
After the Wedding – Sundance London Review Joni Blyth June 5, 2019 Reviews After the Wedding cuts through its own melodrama at a clippy pace. Third-act twists are delivered halfway through; director Bart Freundlich is more interested in living in the fallout than trying to shock you...
The Farewell – Sundance London Review Joni Blyth June 5, 2019 Reviews You’ll laugh, you’ll cry, you’ll cringe at awkward speeches – The Farewell is like any good family wedding, or any good funeral come to think of it. In her sophomore feature, writer-director Lulu Wang...
John Wick: Chapter 3 – Parabellum – Review Joni Blyth May 16, 2019 Reviews No one thought John Wick would last this long. No one thought John Wick would last this long. Both franchise and protagonist appeared to us with what seemed like a short shelf-life. Nevertheless, the Baba Yaga...
The Hustle – Review Joni Blyth May 12, 2019 Reviews A remake of a remake, The Hustle uses its opening credits to set its sights in a different area: the Saturday morning cartoon. Our two leads cartwheel through Hanna Barbera-inspired capers reminiscent of all...
Extremely Wicked, Shockingly Evil and Vile – Review Joni Blyth May 7, 2019 Reviews Zac Efron is certainly enjoying himself in Extremely Wicked, Shockingly Evil and Vile. Sexy serial killer is definitely in his wheelhouse, and Efron goes for broke, hamming it up as the infamously charming...
Scene Stealers: Ian McShane in Hot Rod Joni Blyth April 10, 2019 Analysis, Features, Scene Stealers He’s Al Swearengen. He’s Lovejoy. He’s Odin. He’s Lancashire’s greatest export since the Jelly Baby. You know him, you fear him, you can’t resist his wild eyes – Ian McShane has us all in the...
Benjamin – Review Joni Blyth March 15, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 21/10/2018. Benjamin is a bleak and hilarious glimpse straight into the mind of Simon Amstell. His insecurities and...
Why The Dark Tower Deserves a Second Chance Joni Blyth February 13, 2019 Features, Nostalgia, Second Chance After an eight-year gap, Joe Cornish finally returns to the silver screen with his sophomore feature, The Kid Who Would Be King. What better time than this to look back at his debut feature, Attack the...