On the Record – Review Carmen Paddock June 16, 2020 Reviews Oscar-nominated duo Kirby Dick and Amy Ziering open their latest documentary feature by exploring one of the #MeToo movement’s most glaring weaknesses: the absence of stories from those not white, young, and...
Take Me Somewhere Nice – Review Carmen Paddock May 23, 2020 Reviews The youth road trip movie is a storied genre, and Take Me Somewhere Nice carves out its spot by contrasting a modern setting with a retro production design. The film follows Alma (Sara Luna Zoric), a Bosnian...
All Day And A Night – Review Carmen Paddock May 3, 2020 Reviews Joe Robert Cole’s second feature eschews the usual techniques for establishing audience rapport with its central character: before viewers properly get to know aspiring rapper Jakhor (Ashton Sanders), he...
The Assistant – Review Carmen Paddock April 30, 2020 Reviews This film was previously reviewed as part of our Berlinale Film Festival coverage in February 2020. It is still dark when Jane (Julia Garner) gets in a taxi outside her modest flat. She dozes when she can...
After Two Decades and One Darcy, Matthew MacFadyen Has Never Been More Iconic Carmen Paddock April 27, 2020 Analysis, Features, Spotlight In his 2005 adaptation of Pride and Prejudice, Joe Wright attempted to undo the long shadow cast by Colin Firth’s pitch perfect Mr Darcy in the 1995 BBC miniseries. Instead of watching his romantic hero...
Rising High – Review Carmen Paddock April 18, 2020 Reviews There may be no such thing as a wholly original story, but many narratives earn memorability by bringing new perspectives and urgency to themes and tales heard a thousand times before. Rising High (Betonrausch...
Paris, Texas – My First Time Film Review Carmen Paddock April 6, 2020 Reviews In this new series of articles, our writers are watching classic films for the first time. Here, Carmen catches up on 1984's Paris, Texas. Paris, Texas is grounded in the endless, expansive topographies...
Rescue the Fire – BFI Flare 2020 Review Carmen Paddock March 27, 2020 Reviews Berlin, 1979. Jürgen Baldiga moves from a rural mining province to Berlin, quickly becoming one of the city’s foremost queer artists. After contracting HIV in 1984, as the AIDS crisis sweeps Berlin’s...
My Fiona – BFI Flare 2020 Review Carmen Paddock March 26, 2020 Reviews In her feature film directorial debut, Kelly Walker frames the opening scene so that viewers realise that Jane’s (Jeanette Maus) life is about to be horrifically and irrevocably turned upside down before...
A Dog Barking at the Moon – BFI Flare 2020 Review Carmen Paddock March 25, 2020 Reviews The story behind Xiang Ji’s feature film debut – involving lies to Chinese governmental censors, an eighteen-day shoot, and time in the editing suite days after giving birth – is almost as fascinating as...
American Psycho – My First Time Film Review Carmen Paddock March 25, 2020 Reviews In this new series of articles, our writers are watching classic films for the first time. We begin with Carmen catching up on Mary Harron's American Psycho. Mary Harron’s brutal satire of corporate...
The Truth – Review Carmen Paddock March 21, 2020 Reviews This film was previously reviewed as part of our Glasgow Film Festival coverage in March 2020. As the truth becomes a more and more contentious issue in contemporary media, The Truth feels a throwback to a...
The Lawyer – BFI Flare 2020 Review Carmen Paddock March 20, 2020 Reviews The intersection of identities, oppressions, and politics run through Romas Zabarauskas’ latest feature, which follows a Lithuanian corporate lawyer as he finds himself at personal and professional limits...
Misbehaviour – Review Carmen Paddock March 13, 2020 Reviews Philippa Lowthorpe’s latest feature immediately roots itself in its historical moment: before its opening title Misbehaviour has cut between divorced London mother interviewing for a spot at university, a...
Calm With Horses – Review Carmen Paddock March 12, 2020 Reviews This film was previously reviewed as part of our London Film Festival coverage in October 2019. Nick Rowland’s feature debut, based on a short story, starts with explosive, explicit violence that...