Tzarevna Scaling – Berlinale 2021 Review Carmen Paddock March 7, 2021 Reviews Polina (Alina Korol) works at her father’s fish shop. She sleeps poorly worrying about her family, and when an eccentric woman claims to be selling a tea to cure insomnia she buys some, half curious and half...
Limbo – Berlinale 2021 Review Carmen Paddock March 6, 2021 Reviews There are a couple of 2021 releases titled Limbo, and Soi Cheang’s gritty serial killer drama distinguishes itself with its relentless nastiness. Its cops and criminals use anything they can find as...
Who We Were – Berlinale 2021 Review Carmen Paddock March 5, 2021 Reviews Who We Were (Wir wer waren) switches the question of ecological destruction to one of identity, calling on experts including astronauts, marine biologists, economists, feminist scholars, social scientists, and...
What Do We See When We Look at the Sky? – Berlinale 2021 Review Carmen Paddock March 5, 2021 Reviews Boy meets girl. Boy and girl fall in love, and they set up a date before knowing the other’s name. Viewers know them as Giorgi (Giorgi Ambroladze) and Lisa (Oliko Barbakadze). Lisa walks home alone, and...
Drift Away (Albatros) – Berlinale 2021 Review Carmen Paddock March 4, 2021 Reviews Sometimes, a story is less about whether someone is guilty or innocent than it is about the pressures and perceptions surrounding and following an ambiguous action. The local police chief, Laurent (Jérémie...
The World After Us – Berlinale 2021 Review Carmen Paddock March 3, 2021 Reviews In Louda Ben Salah-Cazanas’ portrait of an artist as a young man, migration, love, art, and family variously take centre stage. Young Parisian Labidi declares that he wants to write his first novel for...
Wood and Water – Berlinale 2021 Review Carmen Paddock March 3, 2021 Reviews Jonas Bak’s feature grows from the intimate domestic sphere to the overwhelming grandeur of world stages without ever losing sight of its central figure. In Germany’s Black Forest region, Anke is fresh...
Introduction – Berlinale 2021 Review Carmen Paddock March 3, 2021 Reviews At 66 minutes, Hong Sangsoo’s latest film is a masterclass in trimming fat from narrative bones. Introduction immediately pulls viewers into its lovable characters’ world, where their family- and...
Tabija – Berlinale 2021 Review Carmen Paddock March 2, 2021 Reviews Faruk is stuck. The teenager’s family lives among Sarajevo’s poorest, and he strikes out with older family members’ semi-legal dealings in an attempt to inject some excitement, if not escape, into his...
Social Hygiene – Berlinale 2021 Review Carmen Paddock March 2, 2021 Reviews Denis Côté has embraced the challenge of pandemic cinema with a socially distanced look at the sound, fury, and nothingness of words. Social Hygiene plays out in five scenes, all centred around the writer...
The First 54 Years – An Abbreviated Manual for Military Occupation – Berlinale 2021 Review Carmen Paddock March 2, 2021 Reviews As its title suggests, Avi Mograbi’s documentary presents like a textbook: with the director as narrator and guide, speaking directly into camera like a lecturer, the film interpolates talking heads from...
Ste. Anne – Berlinale 2021 Review Carmen Paddock March 1, 2021 Reviews Rhayne Vermette’s feature is deeply embedded in family and place. The director plays Renée, a woman returning to her rural family home in the Métis Nation, and the community welcomes her back with lively...
I Care a Lot – Review Carmen Paddock February 20, 2021 Reviews Marla Grayson (Rosamund Pike) wants everyone – sworn on God before the court – to know her heart is gold. Polished, honeyed phrases say all the right things: she is worried about her elderly charges, she...
All the Dead Ones – Review Carmen Paddock February 18, 2021 Reviews This film was previously reviewed in February 2021 as part of our Berlinale Film Festival coverage. Brazil, 1899. Slavery has been abolished for 11 years. The women of the Soares family find their old...
Uppercase Print – Review Carmen Paddock February 17, 2021 Reviews This film was previously reviewed in February 2020 as part of our Berlinale Film Festival coverage. Hybrid documentaries often use their newly-filmed footage to advance narrative drama in the absence of its...