Corporate Animals – Sundance London Review Joni Blyth June 7, 2019 Reviews Faux-eco-friendly corporations. Workplace discrimination. Startup culture. Corporate Animals is one trade union song away from a revolutionary call to arms, and all the better for it. Politically speaking,...
After the Wedding – Sundance London Review Joni Blyth June 5, 2019 Reviews After the Wedding cuts through its own melodrama at a clippy pace. Third-act twists are delivered halfway through; director Bart Freundlich is more interested in living in the fallout than trying to shock you...
The Farewell – Sundance London Review Joni Blyth June 5, 2019 Reviews You’ll laugh, you’ll cry, you’ll cringe at awkward speeches – The Farewell is like any good family wedding, or any good funeral come to think of it. In her sophomore feature, writer-director Lulu Wang...
The Miseducation of Cameron Post – Review Kambole Campbell September 7, 2018 Reviews This film was previously reviewed on 31/05/18 as part of the Sundance London Film Festival. A montage of flailing attempts to ‘diagnose’ homosexuality is only the beginning of the fun that Desiree...
The Miseducation of Cameron Post and the Trauma of Gay Conversion Therapy – Review Kambole Campbell May 31, 2018 Reviews A montage of flailing attempts to ‘diagnose’ homosexuality is only the beginning of the fun that Desiree Akhavan has with the cluelessness of conversion therapy in her sophomore feature The Miseducation of...
A Ghost Story – Review L D August 11, 2017 Reviews After the success of Ain’t Them Bodies Saints (2013), David Lowery reunites Casey Affleck and Rooney Mara in a time-travelling, existential yarn about the dislocation of grief. Questioning why we become...
The Big Sick – Review Rachel Brook July 26, 2017 Reviews Ranging from gently witty to laugh-out-loud funny, The Big Sick is a vibrant comedy-drama which always engages despite broadly conventional structure and lack of stylisation. What it lacks in style, it makes...
Wilson – Review Rachel Brook June 9, 2017 Reviews The grumpy old(er) man comedy is a great tradition. See Alexander Payne’s About Schmidt, or the forthcoming A Man Called Ove for examples of hilarious cantankerousness ultimately giving way to a heartwarming...
Bitch – Sundance London 2017 Review L D June 1, 2017 Reviews In her fourth feature Marianna Palka (known for Good Dick) absurdly illustrates how, by just being in relation to her adulterous husband, society will inevitably judge the behaviour of the woman scorned as...
Crown Heights – Sundance London 2017 Review Rachel Brook May 31, 2017 Reviews Crown Heights is the kind of film you don’t always enjoy, but are glad to have seen afterwards. Writer-director Matt Ruskin doesn’t quite do justice to the affecting true life story; the screenplay feels...
The Intervention – Sundance London Review Tom Bond June 1, 2016 Reviews A promising premise – a surprise intervention for a failing marriage – is wasted in this patchy relationship comedy from writer, director and star, Clea DuVall. She gets strong individual performances...
Short of the Week – Russian Roulette Nick Evan-Cook January 11, 2016 Features, Independent, Short of the Week https://vimeo.com/90733535 Password: russian At ORWAV we’re no strangers to the bizarre but brilliant works of rising short film director Ben Aston, and Sundance London winner Russian Roulette –...
The Case Against 8 – Sundance London Review Christopher Preston May 6, 2014 Reviews The Case Against 8 is a never-more-than-ordinary documentary about a never-less-than-extraordinary series of events. Needless, theatricality proves to be its main undoing. In one scene, Ted Olson reads back...
Little Accidents – Sundance London Review Cameron Ward April 30, 2014 Reviews Sara Colangelo's feature debut, Little Accidents, dolefully addresses the personal ramifications of widespread public trauma. Taking place in the small-town setting of Park City, Colangelo...
The Voices – Sundance London Review Cameron Ward April 29, 2014 Reviews 2 Comments The Voices is a unique blend of (like as not) mutually-exclusive soundtracks, aesthetics, and genre tropes that curiously coalesce into a surprisingly digestible black romcom. Directed by...