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Horns – Review

2014 is a damned fine year for Daniel Radcliffe, and Horns a damned fine outing (“witty” emphasis on "damned"). Initially playing as a cross between The Invention of Lying and Bill’s New Frock, as...
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Hungry Hearts – LFF Review

Is it possible to love not too little but too well? This is the question posed by Saverio Costanzo’s incisive and inquisitive script that follows the battle of wills as Jude (Driver) and Mina (Rohrwacher)...
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Mr. Morgan’s Last Love – Review

Last Love begins with Michael Caine attempting an American accent and wandering the streets of a rose-tinted Paris, in mourning. Having fallen in with Poésy, herself nursing issues - “I like your beard,...
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Pompeii – Review

While Gladiator was a modernised and engaging pastiche of the ancient historical epic, Pompeii is written and delivered with the soulless hum of a photocopier. Things heat up around the midway point,...
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Her – Review

Whether you view Her as a vision of dystopia or utopia rather depends on your relationship with technology. To Theodore (Phoenix) it is at once the reason and remedy for his loneliness. He is struggling to...
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Don Jon – Review

Actor, singer and professional handsome man Joseph Gordon-Levitt can now add writer and director to his list of accolades thanks to one of the year’s finest comedies. JGL ensures his eponymous narcissist...
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Labor Day – LFF Review

Based on the novel by Joyce Maynard, Labor Day is a moving drama from Jason Reitman. Told as an extended flashback, the film is a mixture of coming-of-age drama and mature romance. Darker and more...