The Laundromat – Review Jack Blackwell October 12, 2019 Reviews If, at the start of the year, you were asked which Steven Soderbergh project sounded more exciting between ‘the one shot entirely on an iPhone’ and ‘the one starring Meryl Streep’, then it would have...
Why Every Generation Needs its Own Little Women Alex Goldstein August 13, 2019 Analysis, By The Book, Features Every generation gets its own adaptation of Little Women, and here is ours, with its first trailer released today. But just how well has Greta Gerwig cast her adaptation compared to past...
Mamma Mia! at 10: A Fun, Feminist Legacy Ellena Zellhuber-McMillan July 17, 2018 Features, Love Letter, Nostalgia The faults of Mamma Mia! are well known; the singing is bad, the choreography is simple, and the plot is weak. Its strengths, on the other hand, are barely mentioned – strange for a film that made...
The Post – Review Tom Bond January 11, 2018 Reviews Sometimes you take Steven Spielberg for granted. Then you watch one of his films. Nearly 50 years into his professional directorial career, Spielberg has reminded the world that no one else directs this...
Remembering Michael Cimino and The Deer Hunter Patrick Nabarro July 5, 2016 Analysis, Features, News Easy Rider. Five Easy Pieces. The Last Picture Show. The Godfather. Badlands. Mean Streets. Serpico. The Parallax View. These are just some of the most iconic and seminal works of the era of what is known as...
Scene Stealers: Emily Blunt in The Devil Wears Prada Sian Brett June 30, 2016 Analysis, Features, Scene Stealers If I said the name Emily Blunt to you, what would you think of? Do you think of the way she’s carving a pretty good name for herself in action movies as a woman? The fact that she’s married to John...
Florence Foster Jenkins – Review Bertie Archer May 8, 2016 Reviews Streep is typically spectacular as the caterwauling clubwoman, giving a performance which treads the fine line between delicate and deluded with grace. Hell, she’s even a magnificent bad-singer. It’s a...
Suffragette – LFF Review Tori Brazier October 7, 2015 Reviews Suffragette humanizes the struggle for voting equality in 1912, bringing its harsh (force-fed) realities to the fore as downtrodden laundress Maud (a top-notch Carey Mulligan) is pulled into the Women’s...
The ORWAV Playlist – September 2015 Calum Baker September 8, 2015 Behind The Curtain, Features, Music of the Movies Every four weeks, ORWAV explores the movie month ahead through the medium of song! Upcoming releases, notable births and anniversaries and a general celebration of the films, directors, technicians and...
Generation Right – Doc/Fest 2015 Review Phil W. Bayles June 9, 2015 Reviews Given that, in the words of director Michelle Coomber, Britain "voted itself back into the 1980s" last month, Generation Right could hardly feel more timely. Coomber interviews academics, activists and...
Into the Woods – Review Patrick Taylor January 10, 2015 Reviews 2 Comments With its loudly trumpeted message of "be careful what you wish for", Rob Marshall’s stagey version of Stephen Sondheim’s fairy tale mash-up musical is toe-tapping good fun. Not aided by the two-part...
Second Chance: The Help Rachel Brook October 21, 2014 Features, Nostalgia, Second Chance While far from being critically slammed, 2011’s The Help didn’t quite achieve the kind of hype or awards success that can now be expected from Autumn/Winter releases tackling themes of racism and black...
The Giver – Review Tori Brazier September 10, 2014 Reviews Based on Lois Lowry’s 1993 novel, The Giver begins promisingly before sinking into the depths of mediocrity. The film is further spoiled by bad timing as it awkwardly follows the recent raft of newer teen...
Why the Razzies are Pointless, Lazy and Unnecessary Tom Bond March 1, 2014 Analysis, Features, Opinion Welcome to the jewel in the crown of awards season. Tonight the world holds its breath for the 34th Annual Razzies, where all that glitters is most definitely not gold. Formed in 1980 by publicist John J. B....
August: Osage County – Review David Brake January 26, 2014 Reviews With an A-list cast as long as your arm, and adapted from a Pulitzer Prize-winning play, August: Osage County has all the potential but none (or at least, very few) of the results. Though pill-popping...