Inception and the Time of Capitalism Anahit Behrooz July 14, 2020 Analysis, Close-Up, Features Once upon a time, so my head canon goes, a drunk philosophy fresher told Christopher Nolan that time is a construct and Nolan has never looked back. The majority of his films are characterised by their focus...
“I Never Did This”: The Unreliable Narrator from Rashomon to I, Tonya Rory Steabler February 20, 2018 Analysis, Features, Top 10 There’s no such thing as truth! Everyone has their own truth. So claims Margot Robbie’s Tonya Harding – somewhat dubiously – over the trailer for I, Tonya. The film adapts the true story of...
How Well Do You Know The Films of Christopher Nolan? Tom Bond July 23, 2017 Quiz The most-anticipated film of the year, Dunkirk, landed on our shores last week, and with it returned one of the best directors around, Christopher Nolan. His ambitious, cerebral filmmaking has wowed...
A Beginner’s Guide to… Christopher Nolan Carmen Paddock July 19, 2017 A Beginner's Guide To..., Features Few directors are both as respected as auteurs and revered in the blockbuster sphere as Christopher Nolan. The British-American director, writer, and producer burst onto the scene in 1998, when he was merely...
Memory and Trauma in Memento, Trance and Remainder Tom Bond June 28, 2016 Analysis, Close-Up, Features Memory is a difficult thing for cinema to dissect. It’s the most opaque, internal process we experience as humans, and therefore wholly unsuited to a medium as visual as film. Countless books that rely on...
Secret Pasts in Film David Brake August 7, 2015 Analysis, Features, One Off The Gift explores the unsettling relationship between two men who went to school together, and are reunited randomly. Seemingly innocent at first, it quickly turns suspicious, as there appears to be something...
Inside Brick, Rian Johnson’s Neo-Noir Masterpiece Ellena Zellhuber-McMillan March 27, 2015 Analysis, Close-Up, Features When writing his review of Brick for Rolling Stone, Peter Travers stated that the film’s director, Rian Johnson, ‘risked ridicule’ by setting his neo-noir in a high school. Arguably, the bigger risk was...