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The Last Duel – Review

This film was previously reviewed in September 2021 as part of our Venice Film Festival coverage. The Last Duel, Ridley Scott’s latest men-with-swords epic, is a medieval courtly tale for the #MeToo...
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Le Mans ‘66 – LFF 2019 Review

It’s hard to think of a better recent example of dad-approved lazy-afternoon viewing than James Mangold’s Le Mans ‘66. Its combination of old-fashioned motorsports, tough-guy heroes, and loving...
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Downsizing – Review

This film was previously reviewed on 30/08/17 as part of Venice Film Festival. Alexander Payne returns with a strange, ambitious, and often pummellingly downbeat story. After Norwegian scientists make the...
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Suburbicon – Venice 2017 Review

With mystery films, it’s often said that trailers should be avoided, and that going in blind is the best way to watch them. Suburbicon is an exception to this rule, as the final product bears very little...
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Downsizing – Venice 2017 Review

Alexander Payne kicks off the 2017 Venice Film Festival with a strange, ambitious, and often pummellingly downbeat story. After Norwegian scientists make the miraculous breakthrough of cellular miniaturisation...
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The Great Wall – Review

Zhang Yimou’s first Hollywood feature feels like it was doomed to mediocrity from the start. Despite the credentials (this is the director of Hero, after all), the film appeared to offer up Hollywood’s...
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Jason Bourne – Review

Matt Damon is Bourne again. From the swell of the understated music that's underpinned the series to date, we know that we are firmly in Jason's world. However, it is a more chaotic, even murkier world than...