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The Tribe – LFF Review

Miroslav Slaboshpitsky’s audacious feature debut masters visual storytelling without a single utterance. Told solely through sign language, and containing no spoken dialogue or subtitles, The Tribe breeds...
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Electricity – LFF Review

Bryn Higgins’ aesthetically challenging representation of disability brings with it the constant physical and emotional toll of struggling to maintain a passable level of control through everyday...
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The Drop – LFF Review

Michaël R. Roskam’s tense second feature offers subdued fatalism in and amongst the potential cruelty of things unseen. General life and character progression is seemingly set aside in The Drop’s...
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The Falling – LFF Review

Writer-director Carol Morley’s psychosexual trance piece, The Falling, maintains high levels of interest throughout, yet ultimately fails to bring about its reasons why. Though narrative significance is...
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Son of a Gun – LFF Review

There are few logical explanations for Son of a Gun. The most probable is that writer/director Avery is getting paid by the cliché, each one more laughable and obvious than the last. It’s a shame because...
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A Little Chaos – LFF Review

‘Landscape gardener charms all she meets with fresh approaches to shrubbery’ is a synopsis that will set few pulses racing. Rickman’s first directorial effort since 1997, however, is a solid piece of...
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Foxcatcher – LFF Review

Foxcatcher is a fascinating study of dedication, loneliness and power. In many ways it’s a tonally opposite companion to Whiplash. Sadly, it’s also nowhere near as good. Fry and Futterman’s script...
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Fury – LFF Review

Within the crowded canon of war films, few capture the horrors of combat with such authenticity and bombast as Fury. The pertinent violence and chaos that punctuates throughout supplies the film with a...
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The Salvation – LFF Review

The Salvation launches into action with a tense and life-changing encounter for Jon (Mikkelsen) and his family. Unfortunately, from there the plot becomes increasingly ludicrous and lightweight. The...
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Mommy – LFF Review

Most filmmakers can only dream of having made five features and winning the Jury Prize at Cannes by the age of 25. Most filmmakers aren’t Xavier Dolan. With Mommy he shows off his frighteningly assured...
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Whiplash – LFF Review

At the heart of Whiplash lies an uncomfortable truth, relentlessly hammered home with the force of a thousand drumbeats. To be truly great at anything you need to work till you bleed, work until you hate...
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Hungry Hearts – LFF Review

Is it possible to love not too little but too well? This is the question posed by Saverio Costanzo’s incisive and inquisitive script that follows the battle of wills as Jude (Driver) and Mina (Rohrwacher)...
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The Immortalists – LFF Review

It’s ironic that a film about living forever is so insufferable it makes you want to kill yourself. Sussberg and Alvarado openly laugh at the deluded follies of the oddball scientists trying to cure aging...