ORWAV’s Top 20 Films of 2019: #7 – Us Katy Moon December 30, 2019 Analysis, Features, Top 10 The doppelgänger is an age-old figure of dread. A portent of doom or impending misfortune, they’re often hellbent on eliminating and supplanting the ‘original’. They represent the uniquely horrific...
Ready or Not – Review Alex Goldstein September 27, 2019 Reviews Who's up for some literal class war? Matt Bettinelli-Olpin and Tyler Gillett's pitch-black horror comedy wears its politics on its sleeve, and is mostly the better for it. Ready or Not sets its dissection...
It Chapter Two – Review Phil W. Bayles September 3, 2019 Reviews How do you make a film that’s half an adaptation of one of the greatest horror novels ever written, and a sequel to the highest-grossing horror movie of all time? Andy Muschetti’s answer seems to be: by...
Unintentional Horror in Midsommar and The Dead Don’t Die Ben Flanagan July 16, 2019 Analysis, Features, Opinion Something odd is happening with horror movies this summer. Chucky just ate itself with the Child’s Play reboot, which wipes out the gore but doubles down on references for the Stranger Things audience....
The Blair Witch Project at 20 Katy Moon July 12, 2019 Features, Love Letter, Nostalgia In 1997, actors Heather Donaghue, Mike Williams, and Josh Leonard ventured into the woods of Burkittsville, Maryland to film a fake documentary about the legend of the Blair Witch. Two years later, their...
Midsommar – Review Katy Moon July 9, 2019 Reviews If anyone was worried that burgeoning horror auteur Ari Aster was going to mellow out after his disturbing debut, you can sleep easy. Aster’s latest (which shares more than a passing resemblance to...
Can Horror Franchises Keep the Scares Fresh? Katy Moon July 9, 2019 Analysis, Features, Opinion Since the early days of horror cinema, franchising has had the tendency to dull the sharper edges of our favourite horror icons. Twenty-five years after they emerged from the shadows, Universal’s stable of...
Patrick Wilson: The Everyman Scream King Katy Moon July 8, 2019 Analysis, Features, Spotlight There is a moment in The Conjuring 2 in which Patrick Wilson's ghostbuster Ed Warren, hoping to cheer a group of frightened kids, serenades them all with croony Elvis song 'Can’t Help Falling in Love'. With...
Child’s Play – Review Jack King June 21, 2019 Reviews "A white guy murdered in the middle of a watermelon patch. Poetic." This isn't a line from Jordan Peele's latest horror-infused racial satire Us, nor does it come from the atrocious reboot of Shaft. This is a...
Brightburn – Review Phil W. Bayles June 20, 2019 Reviews There’s a whole subgenre of superhero comics that came about from asking ‘what if?’ As in, what if Batman was a vampire? What if the Avengers had been around in Elizabethan England? Now David...
Pet Sematary – Review Stephanie Watts April 5, 2019 Reviews After the success of It, it’s no wonder studios are scrambling to re-adapt more of Stephen King’s work. Pet Sematary has enough gruesome, dark content to potentially have audiences hiding under the covers...
Us – Review Alex Goldstein March 21, 2019 Reviews In compelling horror-thriller Us, Jordan Peele turns his forensic eye on the ways in which humans are their own worst enemies – packing in home invasion, zombies and high concept sci-fi tropes on the...
Escape Room – Review Sophie Maxwell February 2, 2019 Reviews In recent years, horror and thriller fans have seen a wave of unusual and original films, confronting vital political themes (Get Out, 2017) and kicking back against tired generic tropes (Hereditary, 2018)....
The Most Dangerous Games: Cinema’s Best Puzzles Sophie Maxwell January 29, 2019 Analysis, Features, Top 10 For some, the thought of being trapped in a small room with a limited time to solve puzzles and escape is sheer nightmare fuel. Maybe your boss thinks such activities are the perfect team-building exercises....
The Thing – Horror Cinema’s Greatest Remake Katy Moon November 13, 2018 Analysis, Features, Love Letter, Nostalgia, One Off Creating horror remakes is often a thankless job. Taking familiar intellectual properties with built-in audience recognition and repackaging them with a little more sex or violence than the originals were...