article placeholder

Ready or Not – Review

Who's up for some literal class war? Matt Bettinelli-Olpin and Tyler Gillett's pitch-black horror comedy wears its politics on its sleeve, and is mostly the better for it. Ready or Not sets its dissection...
article placeholder

It Chapter Two – Review

How do you make a film that’s half an adaptation of one of the greatest horror novels ever written, and a sequel to the highest-grossing horror movie of all time? Andy Muschetti’s answer seems to be: by...
Midsummar

Midsommar – Review

If anyone was worried that burgeoning horror auteur Ari Aster was going to mellow out after his disturbing debut, you can sleep easy. Aster’s latest (which shares more than a passing resemblance to...
Childsplay1rwav

Child’s Play – Review

"A white guy murdered in the middle of a watermelon patch. Poetic." This isn't a line from Jordan Peele's latest horror-infused racial satire Us, nor does it come from the atrocious reboot of Shaft. This is a...
Brightburn

Brightburn – Review

There’s a whole subgenre of superhero comics that came about from asking ‘what if?’ As in, what if Batman was a vampire? What if the Avengers had been around in Elizabethan England? Now David...
Pet Sematary 1553681455

Pet Sematary – Review

After the success of It, it’s no wonder studios are scrambling to re-adapt more of Stephen King’s work. Pet Sematary has enough gruesome, dark content to potentially have audiences hiding under the covers...
Lupita Nyong'o Us

Us – Review

In compelling horror-thriller Us, Jordan Peele turns his forensic eye on the ways in which humans are their own worst enemies – packing in home invasion, zombies and high concept sci-fi tropes on the...
Escape Room

Escape Room – Review

In recent years, horror and thriller fans have seen a wave of unusual and original films, confronting vital political themes (Get Out, 2017) and kicking back against tired generic tropes (Hereditary, 2018)....