Everything Went Fine – Review Alysha Prasad June 18, 2022 Reviews This film was previously reviewed in July 2021 as part of our Cannes coverage. François Ozon’s touching film Everything Went Fine (Tout S'est Bien Passé) begins just after 85-year-old André (André...
Summer of 85 – Review Daniel Theophanous October 21, 2020 Reviews Based on the 1982 young adult British novel Dance on My Grave by Aidan Chambers, François Ozon transports events to the North of France in the middle of the decade. Having read the impressionable book at...
Spotlight: Catherine Deneuve Josefine Algieri March 19, 2020 Analysis, Features, Spotlight There may be no name so immediately synonymous with French cinema as Catherine Deneuve. With a career spanning more than half a century and more than 130 screen credits to her name, Deneuve is a steady fixture...
A Simple Favour – Review Phil W. Bayles September 21, 2018 Reviews Don’t be fooled by trailers - A Simple Favour is far more than a Gone Girl knock-off. Heavily marketed as coming from ‘the dark side of Paul Feig,’ in practice it feels like Feig has remade a François...
Amant Double – Review Jack Blackwell June 2, 2018 Reviews This film was previously reviewed on 07/10/2017 as part of London Film Festival. For its first two thirds, François Ozon’s Amant Double feels like the most stereotypically French film ever made. Starring...
Amant Double – LFF 2017 Review Jack Blackwell October 7, 2017 Reviews For its first two thirds, François Ozon’s Amant Double feels like the most stereotypically French film ever made. Starring androgynous ingénue Chloé (Marine Vacth) who works in a modern art gallery and...
Frantz – Review Cathy Brennan May 12, 2017 Reviews In Frantz Franco-German relations in the wake of the Great War are explored, but at its heart Ozon has crafted an old-fashioned movie that nevertheless pulses with a modern vitality. The setup is simple...
The New Girlfriend – Review Rachel Brook May 14, 2015 Reviews New Girlfriend is technically striking, often conveying narrative visually in brave compositions, and Pascal Marti’s cinematography is as fluid as the characters’ identities. Ozon’s latest is riddled...