Freshman Year – Review Tom Bond September 27, 2021 Reviews The college coming-of-age story is such a tried-and-tested subgenre that it’s impressive when someone offers a new take. Freshman Year, the debut feature from writer, director and lead, Cooper Raiff, shows...
In A World: Cinema’s Most Innovative Trailers George Howarth September 3, 2020 Features, Opinion, Top 10 So you're a director, you've made your genre-defining debut picture, and now it's time to convince the viewing public that your film blows the other cinematic dross out of the water. But how do you prove it?...
The Changing Face of Pedro Almodóvar’s Autofiction Joseph Bullock July 9, 2020 Analysis, Close-Up, Features We have always seen glimpses of Pedro Almodóvar in his films. Most notably in Law of Desire (1987) and Bad Education (2004), he has used stories of filmmakers in a self-reflective way to construct deeply...
Best Buys For the Best Films of the 2010s Tom Bond March 24, 2020 Shop With the 2010s in the rearview mirror we took the chance to look back at our favourite films of the decade and rank them. You can see where we ended up here, and I hope you'll agree it's a great...
Pain and Glory – Review Tom Bond August 19, 2019 Reviews It’s easy to throw a film like Pain and Glory into all sorts of boxes – boxes marked ‘self-portrait’, ‘self-indulgent’ and ‘love letter to cinema’ – but that would be to cheapen a beguiling...
Child’s Play – Review Jack King June 21, 2019 Reviews "A white guy murdered in the middle of a watermelon patch. Poetic." This isn't a line from Jordan Peele's latest horror-infused racial satire Us, nor does it come from the atrocious reboot of Shaft. This is a...
Danny – Sheffield Doc/Fest 2019 Review Jack King June 13, 2019 Reviews What is one spurred to do when facing their own mortality? Co-directors Aaron Zeghers & Lewis Bennett evoke this question throughout Danny: a flawed, if immensely personal, 50-minute documentary compiled...
Don’t Be a Dick About It – Sheffield Doc/Fest 2019 Review Jack King June 10, 2019 Reviews A documentary doesn't always have to be didactic in order to teach. As is true for real life, it's often through passive observation that we learn much not only about the subject at hand, but also of...
Gloria Bell – Review Jack King June 6, 2019 Reviews 2017's A Fantastic Woman, Chilean director Sebastián Lelio's fifth film, was celebrated as a critical darling for a multitude of well-earned reasons – not least being Lelio's rich characterisation of Marina...
High Life – Review Chris Edwards May 10, 2019 Reviews Travelling at 99% of the speed of light, Clare Denis’s latest feature High Life sees Robert Pattinson’s Monte attempt to raise a baby daughter in deep space. Focusing on three distinct periods in Monte’s...
Bel Canto – Review Jack King May 1, 2019 Reviews Set amidst domestic tension within a non-descript country in Latin America, Bel Canto predominantly follows the perspective of Roxanne Coss (Julianne Moore), an American opera star performing at the private...
Lost in Translation and the Lonely City Tom McAdam October 4, 2018 Analysis, Close-Up, Features Before its release back in 2003, no one quite knew what to expect from Lost in Translation, an indie romantic comedy set in Japan, starring Bill Murray and a then largely unknown 17-year-old Scarlett...
Scene Stealers: Donald Glover in The Martian James Andrews May 24, 2018 Analysis, Features, Scene Stealers It’s a phrase bandied about quite a lot in the entertainment world, but Donald Glover is quite genuinely a man of many talents. When he’s not preparing to join a galaxy far, far away as a young Lando...
Five Movies Celebrating The Fortitude of Women Katy Moon May 3, 2018 Analysis, Features, Top 10 I Feel Pretty hits cinemas this month, bringing with it a wave of controversy after its somewhat inauspicious trailer split opinion. Whatever your take, you never really need an excuse to celebrate women in...
Netflix, Annihilation, and Elitism in Cinema Christopher Preston March 15, 2018 Features, One Off, Opinion People fight on the Internet. Who knew? The latest bout of byte-slinging has been sparked by the release - or, perhaps, lack of release - of Alex Garland’s Annihilation. For context, the movie was...