The First 54 Years – An Abbreviated Manual for Military Occupation – Berlinale 2021 Review Carmen Paddock March 2, 2021 Reviews As its title suggests, Avi Mograbi’s documentary presents like a textbook: with the director as narrator and guide, speaking directly into camera like a lecturer, the film interpolates talking heads from...
Uppercase Print – Review Carmen Paddock February 17, 2021 Reviews This film was previously reviewed in February 2020 as part of our Berlinale Film Festival coverage. Hybrid documentaries often use their newly-filmed footage to advance narrative drama in the absence of its...
Woman in Motion – Review Nick Davie February 16, 2021 Reviews Fans of Star Trek may remember Nichelle Nichols as the unflappable communications officer Lieutenant Uhura of the Enterprise, but Nichols’ involvement in humanity's journey into space goes beyond the...
Cusp – Sundance Film Festival 2021 Review Rafaela Sales Ross February 2, 2021 Reviews “There is no normal in teenage years” utters a young girl as the sun goes down, her friends carrying cans of beer and chatting from the top of old, beaten trucks. It is a fitting observation to set the...
Rita Moreno: Just a Girl Who Decided to Go For It – Sundance Film Festival 2021 Review Rafaela Sales Ross January 30, 2021 Reviews There is no one like Rita Moreno. The trailblazing EGOT winner shaped the history of Latinx representation in Hollywood in a career that spans over 70 years. Just a Girl Who Decided to Go For It pays homage to...
The Capote Tapes – Review Carmen Paddock January 27, 2021 Reviews For a man as loudly individual and extroverted as Truman Capote – bestselling author of In Cold Blood and Breakfast at Tiffany’s – Ebs Burnough’s documentary begins remarkably intimately. Capote’s...
Bloody Nose, Empty Pockets – Review Joni Blyth December 25, 2020 Reviews This film was originally reviewed in October 2020 as part of our London Film Festival coverage. Bloody Nose, Empty Pockets sets out to break the rules of cinema. Why do we have to distinguish between...
Descent – Raindance 2020 Review George Howarth November 12, 2020 Reviews Freediving is diving without any breathing apparatus, relying only on the diver's lung capacity to stay underwater for incredibly long periods of time. The more extreme form of this is 'ice freediving' where...
The Painter and the Thief – Review Rob Salusbury November 1, 2020 Reviews This review was originally published as part of our London Film Festival 2020 coverage. The story could’ve been torn straight out of a Hitchcock thriller: two thieves break into a gallery and steal two...
African Apocalypse – LFF 2020 Review Anahit Behrooz October 17, 2020 Reviews Step into any British university literature department and a debate on Joseph Conrad’s Heart of Darkness will be in full force. Is it a thoughtful examination of European imperialism, or a racist relic that...
Delia Derbyshire: The Myths and Legendary Tapes – LFF 2020 Review Alex Goldstein October 15, 2020 Reviews There's a story every creative falls for. It's the one where the off-beat genius, the colour-outside-the-lines character is finally given free rein with their crayons. Everything that comes before is hard, and...
Ultraviolence – LFF 2020 Review Sophie Maxwell October 14, 2020 Reviews In 2001, director Ken Fero released Injustice, a documentary examining the killings of Black people in police custody in the UK. Ten years in the making, Ultraviolence is Fero’s emphatic and essential...
Sound for the Future – LFF 2020 Review Alex Goldstein October 12, 2020 Reviews They say history repeats itself. For Matt Hulse, it's more like a replay - or five. Over and over again he assembles trios of kids from a Glasgow youth theatre group to represent his younger self, his sister...
Time – LFF 2020 Review Sophie Maxwell October 11, 2020 Reviews In Garrett Bradley’s documentary Time, Sibil "Fox" Richardson is working to have her husband Robert released from prison. She believes his sentence—60 years for armed bank robbery—is oppressively and...
I Am Samuel – LFF 2020 Review Rob Salusbury October 10, 2020 Reviews “Alex is the love of my life… we belong together.” What appears to be a sweet and earnest declaration of love from Samuel, the subject of Peter Murimi’s vital documentary, swiftly becomes a defiant...