Gringo – Review Naomi Soanes March 11, 2018 Reviews Sold as a dark action-comedy, and boasting a surprisingly A-list cast, Gringo has all the makings of a successful crime drama right from the outset. The film follows Harold (Oyelowo), a down-on-his-luck...
The Cloverfield Paradox – Review Tom Bond February 5, 2018 Reviews When a film is released with next to no warning or hype, it means one of two things: a car crash is being cleaned up before too many people see it, or the finished film is so good it will grab attention...
Your Week In Film: Oyelowo, Han Solo, Mo’ Leto? Stephen O'Nion August 25, 2017 News 1. WB decide “screw it” – hire Todd Phillips director for Joker: Origins Having failed to the tune of $745 million with Jared Leto in Suicide Squad, Warner Bros. are ready to have another whack at this...
Queen of Katwe – LFF 2016 Review Tori Brazier October 10, 2016 Reviews Queen of Katwe is an emotional and inspirational film, sprinkled with Disney magic, although the true story does most of the heartrending speaking for itself. Phiona (newcomer Nalwanga) sells maize in...
A United Kingdom – LFF 2016 Review Tom Bond October 5, 2016 Reviews As the United Kingdom currently finds itself mid-Brexit, waking each morning to a new swathe of regressive policies targeted against Johnny Foreigner, it feels an apt time to be reminded that this country...
Selma, Bond and Race: Examining Hollywood’s “Invisible White Men” Madeline Joint March 1, 2015 Analysis, Close-Up, Features 1 Comment The Oscars: a night to celebrate the film industry’s “best and whitest.” Thanks Neil Patrick Harris, you hit the nail on the head - but frankly the issue deserves a little more than a cheap pun....
Selma – Review Danielle Davenport February 3, 2015 Reviews 3 Comments There is much to recommend Selma besides the lure of Martin Luther King. It is creative and well told; never indolent and always interesting; grandiose yet intimate. DuVernay - through a wonderfully slender...
A Most Violent Year – Review Tom Bond January 14, 2015 Reviews A quickening tension squeezes every frame of A Most Violent Year, tautened by Alex Ebert’s needling score. Chandor directs with a vice-like grip and, with DoP Bradford Young, frames the broken silhouettes...