A Colony – Review Josefine Algieri March 16, 2021 Reviews This film was previously reviewed in February 2019 as part of our Berlinale coverage. School can be a hostile environment – particularly for those who don’t quite fit in. A Colony centres around Mylia...
The Ground Beneath My Feet – Review Carmen Paddock September 26, 2020 Reviews This film was previously reviewed in February 2019 as part of our Berlinale Film Festival coverage. Austrian drama The Ground Beneath My Feet (Der Boden unter den Füßen) explores the cracks in a...
Who You Think I Am – Review Josefine Algieri April 10, 2020 Reviews This film was previously reviewed in February 2019 as part of our Berlinale Film Festival coverage. Who You Think I Am has a plot we have all seen or heard before: Claire (Juliette Binoche) is a woman in...
Is Captain Marvel Here to Save Women in Film? Alex Goldstein March 5, 2019 Features, One Off, Opinion It’s a big ask, being brought back from the past to save half the universe from a Mad Titan. As if that wasn't enough, the woman behind Captain Marvel is flexing her own muscles to drive change for women...
Amazing Grace – Berlinale 2019 Review Josefine Algieri February 16, 2019 Reviews It’s a rare thing to see footage from times long past resurface in a feature length film, but Amazing Grace is one such case: filmed in 1971 by none other than Sydney Pollack, it was meant to be a...
Synonymes – Berlinale 2019 Review Carmen Paddock February 16, 2019 Reviews Many films have explored the physical, mental, and emotional toll of starting a new life – whether by choice or force – in a foreign country. Joining this particular brand of coming-of-age story is...
What She Said: The Art of Pauline Kael – Berlinale 2019 Review Josefine Algieri February 16, 2019 Reviews “I was lucky enough to be able to write about movies in a way that people were willing to pay for,” Pauline Kael says in the opening of What She Said: The Art of Pauline Kael when asked why she decided to...
Delphine and Carole – Berlinale 2019 Review Josefine Algieri February 16, 2019 Reviews Les insoumuses – the disobedient muses: actress Delphine Seyrig and filmmaker Carole Roussopoulos. Coming together in the early 1970s, they formed a collective focusing on feminist issues and film. They...
We Are Little Zombies – Berlinale 2019 Review Stephanie Watts February 16, 2019 Reviews What would you do if you were a 10-year-old orphan in Japan? Form a rock band with your three orphan friends and become a pop sensation, of course. And in We Are Little Zombies, Makoto Nagahisa’s debut...
Elisa y Marcela – Berlinale 2019 Review Stephanie Watts February 16, 2019 Reviews In Elisa y Marcela, director Isabel Coixet brings a tender story of love and desperation in a time of intolerance to the big screen (and small, with the film being distributed by Netflix). At times less...
Varda by Agnès – Berlinale 2019 Review Josefine Algieri February 16, 2019 Reviews Agnès Varda has in recent years become something of an internet phenomenon. Newly discovered by a younger generation, she has not only reached the status of a beloved icon, but also everyone's favourite...
Ringside – Berlinale 2019 Review Carmen Paddock February 16, 2019 Reviews Sports documentaries have been done to death, but when a compelling, relatable tale of athletic redemption meets an expert storytelling team, the result is a surefire hit. Ringside – following two teenage...
One Thousand Ropes – Berlinale 2019 Review Carmen Paddock February 16, 2019 Reviews Similar to last year’s exceptional Waru, One Thousand Ropes deals with the intergenerational trauma of domestic abuse in New Zealand’s most disadvantaged groups without glossing over facts or showing...
Photograph – Berlinale 2019 Review Josefine Algieri February 14, 2019 Reviews Ritesh Batra excels at slow-burn romance and proves this once again in Photograph. Returning to his native Mumbai after several English-language projects, his latest film draws on the foundation of his 2013...
Anthropocene: The Human Epoch – Berlinale 2019 Review Carmen Paddock February 14, 2019 Reviews This Canadian documentary stems from work that began in 2009, when world environment experts began investigating whether the Earth had left the Holocene epoch and entered the Anthropocene, where humans shaped...