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The Father – Review

Adapted by Florian Zeller from his stage play of the same name, The Father is a film about the ravages of time in the vein of Michael Haneke’s Amour. But while Haneke presented his subjects with clinical...
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The Two Popes – LFF 2019 Review

Anthony McCarten has, in recent years, made his name as one of the premier screenwriters of mass appeal but mediocre historical films like Darkest Hour and Bohemian Rhapsody. His latest, The Two Popes, teams...
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Noah – Review

Darren Aronofsky's liberal retelling of the classic Genesis myth is notably epic in both its newly modernised relevance, and its biblically requisite sense of scale. However, much of the tale's innate...