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Knives Out – Review

Whodunnits are never just about who did it. They are about the dynamic between head and heart – how and why someone takes the ultimate decision to kill another. Writer-director Rian Johnson understands this...
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Fahrenheit 11/9 – LFF 2018 review

“How the fuck did we get here?” asks Michael Moore at the start of his new documentary-cum-raging leftist polemic Fahrenheit 11/9, reflecting on the night Donald Trump was named 45th President of the...
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Fences – Review

A great play has a certain kind of self-made intensity, as if its players are conjuring up a story from thin air and keeping that plate spinning around the single stage. It leaves you dizzy. Directing...
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O.J.: Made in America – Review

Between black and white are over 500 shades of grey. This is the argument of Ezra Edelman’s exhaustive cinematic thesis on O.J. Simpson; a comprehensive documentary that shows that in order to understand...
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Live By Night – Review

What makes a “bad film”? Does the whole shebang have to be rotten? Or is it just aspects - the director, the cast, the story, the idea? It might be these questions, and probably a few more, that will...
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McFarland, USA – Review

Like its lead, McFarland USA has a simple, easygoing charm - and in director Niki Caro’s hands (the film, not Costner) what seems so 'route one' plays out at a significantly more enjoyable pace than its...