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Nina Wu – Cannes 2019 Review

Nina Wu comes at a perfect moment, hot on the heels of the #MeToo movement which finally challenged longstanding abusive practices in the film industry. Its tale of power, control, and the male gaze is a...
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Matthias & Maxime – Cannes 2019 Review

Xavier Dolan's had a tough few years. The Canadian wunderkind's last two efforts It's Only the End of the World and The Death and Life of John F. Donovan have bombed hard, but in Matthias & Maxime he...
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Ice on Fire – Cannes 2019 Review

In a sane world, Ice on Fire wouldn't exist. Mass global audiences would've been woken up by the comprehensive climate change warnings of An Inconvenient Truth back in 2006, rather than simply stirring in...
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La Belle Époque – Cannes 2019 Review

What would you give to go back and experience any point in history however you wished? Time travel may be impossible, but considering the relentless march of technology and filmmaking it’s not inconceivable...
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Young Ahmed – Cannes 2019 Review

A film about a Muslim teenager’s radicalisation directed by two white men was always going to be controversial, no matter that those men are the legendary Dardennes brothers. The worry was that they would...
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Diego Maradona – Cannes 2019 Review

A great man once said that football isn’t a matter of life and death; it’s much more important than that. Asif Kapadia’s intense Diego doc adds religion to the list, focusing on the brief few years when...
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A Hidden Life – Cannes 2019 Review

There’s a stereotype of a Terrence Malick film, if you’re feeling mean. Beautiful, sure; but also a glorified perfume ad, full of twirling girls and little substance. His most recent efforts – To the...
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Vivarium – Cannes 2019 Review

Don’t even talk to me about getting a mortgage. In this economy? May as well resign yourself to renting forever and raising your own Chernobyl of a nuclear family from a cupboard under the stairs. Vivarium...
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Sofia – Cannes 2018 Review

It’s rare to leave the cinema wishing a 90-minute film was longer, but Meryem Benm'Barek’s Sofia shows enough promise to demand a more substantial story. She wastes no time getting into the action, going...
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Asako I & II – Cannes 2018 Review

Ryûsuke Hamaguchi’s Asako I & II is an endearing Japanese rom-com with a high-concept premise. Asako (Erika Karata) falls in love with Baku (Masashiro Higashide) at university, but he walks out of her...
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At War – Cannes 2018 Review

The spirit of ’68 is alive and kicking in At War, the latest politically charged drama from the formidable pairing of director Stéphane Brizé and actor Vincent Lindon. We’re thrown straight into the...