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Memphis – Sundance London Review

Tim Sutton's Delphian portrayal of a blues musician's decaying spirituality takes on the seemingly mismatched guise of both documentary filmmaking, and hyper-literate, auratic cinema. The film follows the...
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Transcendence – Review

Which is worse: a bad film or a disappointing one? Transcendence manages to be both at the same time. Wally Pfister’s directorial debut is a fractured crazy pavement, cementing together thick slabs of...
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The Last Days on Mars – Review

It might be a brave new world but we’ve definitely been here before. The humdrum minimalism of Sunshine and Alien crossed with the runny-screamy parts of Alien and Sunshine mean little is unexpected, even...
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Locke – Review

Following his feature-length directorial debut, Hummingbird, long-time writer Steven Knight directs again with a tense, witty, high-concept thriller set entirely inside a car. Hardy is a magnetic presence,...
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Calvary – Review

A darkness hangs over Calvary; as bleak and angry as a pregnant thundercloud. Those hoping for a thematic sequel to The Guard will quickly discover that they won’t find it here. Calvary isn’t perfect; the...
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The Raid 2 – Review

Get ready for your new favourite fight scenes. Baseball Boy. Hammer Girl. The hotplate. The mudbath bloodbath. And oh boy, if you thought Gravity was visceral cinema then the kitchen showdown is here to...
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The Quiet Ones – Review

The Quiet Ones has its moments: some tense, atmospheric, quiet ones, and some VERY LOUD ONES! Pogue utilises the (clichéd) old house setting effectively, and the cattle-prod scares give equally predictable...