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Begin Again – Review

Once creator John Carney again blends music and storytelling (in that order) in this likeable dramedy which slowly gets under the skin. Opening with an intelligent use of two perspectives which combine in...
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Mr. Morgan’s Last Love – Review

Last Love begins with Michael Caine attempting an American accent and wandering the streets of a rose-tinted Paris, in mourning. Having fallen in with Poésy, herself nursing issues - “I like your beard,...
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Boyhood – Review

Richard Linklater’s expertise - or at least his largest triumphs - has been in the capturing of rapidly burning candles. By comparison, Boyhood (a project filmed over twelve years) is a great fire; burning...
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Welcome to New York – EIFF Review

"Do you know who I am?" Devereux grunts, towel falling to the floor. Depardieu's outright sociopathic turn as George Devereux - the reported simulacrum to 2011's presumed French presidential candidate,...
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Life After Beth – EIFF Review

Writer-director Jeff Baena's directorial and feature debut, Life After Beth, is equal parts tender satire and physical zom-com. Plaza and DeHaan deliver thoroughly accomplished performances, seamlessly...
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Cold in July – EIFF Review

Adapted for screen from John Lansdale's novel of the same name, Cold in July retains its free-flowing pulp heritage, with violence and retribution galore. What sets Mickle's latest apart, however, is just...
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Set Fire to the Stars – EIFF Review

Set Fire to the Stars is what happens when performance and written word arrestingly compete for head billing. Goddard's feature debut boasts the full enormity of its inspired source (Dylan Thomas' 'Love In...
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Mistaken for Strangers – Review

Mistaken for Strangers is a tale of two siblings rather than your usual hedonistic rock doc. Tom Berninger’s lo-fi filming strips away all glamour and lays bare the mundanity behind any success. The...
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Jersey Boys – Review

Clint Eastwood helming the film version of an international smash-hit musical generates enormous expectations-  and many will blame him for seemingly adopting an “If it ain’t broke… ”...
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Something, Anything – EIFF Review

Writer-director Paul Harrill's feature debut offers higher understanding without the usual cost of condescension. Something, Anything gently indicts blindly-followed sociopolitical (bourgeois) ideals, while...